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Mouse Mat : Joseph and the Angel, 1652 (oil on canvas) (detail of 3126)

Joseph and the Angel, 1652 (oil on canvas) (detail of 3126)




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Joseph and the Angel, 1652 (oil on canvas) (detail of 3126)

BBC197671 Joseph and the Angel, 1652 (oil on canvas) (detail of 3126) by Tour, Georges de la (1593-1652); total = 93x81 cm; Musee des Beaux-Arts, Nantes, France; (add.info.: apparition de l ange a Joseph; subject of painting has caused confusion; ); French, out of copyright

Media ID 22931622

© Bridgeman Images

Candlelight Caravaggisti Chiaroscuro


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 19.4cm x 23.7cm (7.6" x 9.3")

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > T > Georges de la Tour

> Europe > France > Nantes

> Europe > France > Paintings

> Europe > France > Tours

> Popular Themes > Tour De France


EDITORS COMMENTS
This print showcases a mesmerizing detail of Georges de la Tour's masterpiece, "Joseph and the Angel" from 1652. Painted with oil on canvas, this particular section measures 93x81 cm and is currently housed in the Musee des Beaux-Arts in Nantes, France. The image depicts a profound moment as an angel appears before Joseph. Bathed in candlelight, the scene is brought to life through de la Tour's masterful use of chiaroscuro technique. The interplay between light and shadow creates a dramatic atmosphere that adds depth and intensity to the composition. Although the subject matter has caused some confusion over time, there is no denying the emotional impact of this painting. The delicate brushwork captures Joseph's astonishment as he witnesses this divine encounter. It invites viewers to contemplate their own beliefs and interpretations of faith. Georges de la Tour was known for his Caravaggisti style, which emulated Caravaggio's mastery of light and dark contrasts. This detail exemplifies his skillful execution of this technique, showcasing his ability to create a sense of mystery and spirituality within his work. As we gaze upon this remarkable print by Bridgeman Images, we are transported back in time to witness an extraordinary moment between man and angel – a testament to both artistic brilliance and spiritual contemplation.

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