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Mouse Mat : Merton Hall, Appleby, c. 1916 (charcoal & pencil on card)
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Merton Hall, Appleby, c. 1916 (charcoal & pencil on card)
1763637 Merton Hall, Appleby, c.1916 (charcoal & pencil on card) by Oliver, Daniel (1830-1916); Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; British, out of copyright
Media ID 23102702
© Tyne & Wear Archives & Museums / Bridgeman Images
Cumbria Idyllic Monochrome North Northern Peaceful Remote Tranquil
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18cm (9.3" x 7.1")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Merton Hall, Appleby, c. 1916" takes us back in time to the serene countryside of northern England in the early 20th century. Created by artist Daniel Oliver, this charcoal and pencil drawing beautifully captures the idyllic charm of rural life. The image showcases Merton Hall, a stunning stone building nestled amidst a peaceful landscape. The remote location adds to its allure, as it stands proudly against the backdrop of Cumbria's picturesque Appleby-in-Westmoreland. With its monochrome palette and meticulous details, this artwork evokes a sense of tranquility that is characteristic of English countryside scenes. It transports viewers to an era when farming was at the heart of daily life, reminding us of simpler times. As we gaze upon this exquisite piece from the Laing Art Gallery in Newcastle-upon-Tyne, we can't help but be captivated by its beauty. The skillful rendering brings out every intricate line and texture on both the farmhouse and surrounding buildings. This print is not only a testament to Oliver's artistic talent but also serves as a window into history—a snapshot frozen in time that allows us to appreciate the timeless allure of rural England.
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