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Mouse Mat : A bourgeois leaving his house, Paris, 1889 (painting)
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A bourgeois leaving his house, Paris, 1889 (painting)
1749227 A bourgeois leaving his house, Paris, 1889 (painting) by Beraud, Jean (1849-1935); (add.info.: a bourgeois leaving his house in 1889, painting by Jean Beraud (1849-1936)); © Tallandier
Media ID 27838374
© Tallandier / Bridgeman Images
Attelage Horse Drawn Carriage Beggar Begging Bourgeoisie Cigar Coach Coaches Coachman Cripple Disability Disabled Four Seasons Handicaped Handicapped Person Infirmities Invalid Jean Beraud Mendicant Paris France Penury Poors Precariousness Smoking Addiction Snow Scene Snowfall Snowiing Snowing Snowy Stagecoach Tobacco Tobacco Box Tobacco Packet Tobacco Product Top Hat Tramp Vagabond Vie Quotidienne Daily Life Wintertime City Of Paris Inhabitant Several People Several Persons
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 17cm (9.3" x 6.7")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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A Glimpse into 19th Century Parisian Society - A bourgeois leaving his house, Paris, 1889
EDITORS COMMENTS
. This painting by Jean Beraud offers us a fascinating window into the bustling streets of late 19th century Paris. Depicting a bourgeois gentleman stepping out of his elegant residence, the artwork encapsulates the essence of an era marked by opulence and societal norms. The well-dressed man is seen adorned in a stylish coat, cloak, and hat – symbols of his social status. Clutching a walking stick with poise and confidence, he exudes an air of sophistication as he prepares to embark on his day's journey. The presence of a coachman waiting beside an exquisite stagecoach hints at the privileged lifestyle enjoyed by this upper-class individual. However, amidst this scene of affluence lies subtle commentary on society's disparities. In stark contrast to the bourgeois figure stands a disabled beggar who serves as a poignant reminder of those marginalized within this prosperous world. This inclusion prompts reflection on issues such as disability and inequality that persist throughout history. Beraud's masterful use of color brings life to every detail within the composition – from the vibrant winter season setting to the richly colored garments worn by each character. Through meticulous brushstrokes, he captures not only physical appearances but also emotions and narratives that unfold within these city streets. As we gaze upon this remarkable piece from our vantage point in time, it invites us to contemplate both the allure and complexities inherent in societies past and present.
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