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Mouse Mat : Edward the Confessor, 1846 (stained glass)
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Edward the Confessor, 1846 (stained glass)
3475296 Edward the Confessor, 1846 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); Our Lady of the Annunciation, Bishop Eton, Liverpool, UK; (add.info.: Manufactured by Hardman & Co.); eAlastair Carew-Cox; English, out of copyright
Media ID 22726898
© Alastair Carew-Cox / Bridgeman Images
Edward The Confessor Gothic Revival Gothick Neo Gothic Sceptre Sceptres Tracery Victorian Gothic Windows Ecclesiastical
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.1cm x 23.7cm (6.7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the stunning stained glass window of Edward the Confessor, created by Augustus Welby Northmore Pugin in 1846. The artwork is located at Our Lady of the Annunciation in Bishop Eton, Liverpool, UK. Manufactured by Hardman & Co. , this masterpiece exemplifies the intricate craftsmanship and attention to detail that defined the Gothic Revival art movement. Edward the Confessor, depicted with a sceptre in hand, stands as a symbol of saintliness and Christian devotion. The vibrant colors and delicate tracery surrounding him add an ethereal quality to this ecclesiastical scene. As one gazes upon this magnificent piece, it becomes evident that every element has been meticulously designed to evoke a sense of awe and reverence. The fusion of architecture and religious symbolism found within this Victorian Gothic window speaks volumes about the era's fascination with spirituality and grandeur. It serves as a testament to both Pugin's artistic genius and his commitment to reviving medieval aesthetics. As we admire Alastair Carew-Cox's expertly captured image, we are transported back in time to an age where stained glass windows were not only decorative elements but also powerful tools for storytelling and spiritual contemplation. This photograph reminds us of the enduring power of art to inspire faith and connect us with our rich cultural heritage.
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