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Mouse Mat : Lord John Stuart and his brother, Lord Bernard Stuart (c. 1623-45) c. 1638 (oil on canvas

Lord John Stuart and his brother, Lord Bernard Stuart (c. 1623-45) c. 1638 (oil on canvas




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Lord John Stuart and his brother, Lord Bernard Stuart (c. 1623-45) c. 1638 (oil on canvas

XOS1765771 Lord John Stuart and his brother Lord Bernard Stuart c.1638 (oil on canvas) by Dyck, Anthony van (1599-1641); 237.5x146.1 cm; National Gallery, London, UK; (add.info.: The youngest sons of the third Duke of Lennox: Lord John Stuart (1621-44) left, and Lord Bernard Stuart (1622-45) ); Flemish, out of copyright

Media ID 12742741

© www.bridgemanimages.com

Brothers Cavalier Gloves Nobleman Royalist Royalists Silk Wealthy Nobles


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 15.1cm x 23.7cm (5.9" x 9.3")

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Anthony van Dyck

> Fine Art Finder > Men 17th Century


EDITORS COMMENTS
This portrait, titled "Lord John Stuart and his brother, Lord Bernard Stuart" captures the essence of aristocratic elegance during the 17th century. Painted by Anthony van Dyck around 1638, this oil on canvas masterpiece measures an impressive 237.5x146.1 cm and is housed in the prestigious National Gallery in London. The painting depicts two young noble brothers, sons of the third Duke of Lennox: Lord John Stuart and Lord Bernard Stuart. Dressed impeccably in lavish silk garments, they exude wealth and privilege. Their full-length figures stand confidently against a neutral background, emphasizing their regal stature. Both brothers wear gloves as a symbol of their refined status within society. The attention to detail is remarkable; every fold in their clothing is meticulously rendered by van Dyck's skilled brushwork. This portrait exemplifies the cavalier style popular among royalists at that time. It showcases not only the physical likeness but also conveys a sense of nobility and sophistication inherent to these privileged men. As we gaze upon this remarkable artwork, we are transported back to a time when social hierarchy was paramount and opulence reigned supreme. Van Dyck's ability to capture both individuality and shared familial traits makes this painting truly exceptional.

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