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Mouse Mat : Arii Matamoe (The Royal End), 1892 (oil on coarse fabric)
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Arii Matamoe (The Royal End), 1892 (oil on coarse fabric)
1077626 Arii Matamoe (The Royal End), 1892 (oil on coarse fabric) by Gauguin, Paul (1848-1903); 45. x74.3 cm; J. Paul Getty Museum, Los Angeles, USA
Media ID 25456936
© Bridgeman Images
Decapitated Display Human Head Lying In State Mourners Polynesia Primitive Tahiti Tahitian Post Impressionist
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 15.1cm (9.3" x 5.9")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Arii Matamoe (The Royal End), 1892
EDITORS COMMENTS
is a captivating and thought-provoking artwork by Paul Gauguin. This oil painting on coarse fabric, housed in the J. Paul Getty Museum in Los Angeles, USA, transports viewers to the enchanting world of Tahiti during the late 19th century. In this mesmerizing piece, Gauguin skillfully captures a scene of mourning and ritual surrounding the death of a Tahitian king. The decapitated human head lies in state while mourners pay their respects with solemnity and reverence. The primitive yet poignant depiction evokes a sense of both sorrow and respect for the departed ruler. Gauguin's post-impressionist style shines through as he masterfully blends vibrant colors with bold brushstrokes, creating an atmosphere that is simultaneously dreamlike and raw. Through his unique artistic vision, he brings to life the rich cultural heritage of Polynesia. This artwork not only showcases Gauguin's exceptional talent but also serves as a window into French colonial history and its influence on art during this period. It reflects both his fascination with exotic cultures and his desire to break away from traditional European artistic conventions. As we gaze upon "Arii Matamoe (The Royal End), 1892" we are transported back in time to witness an important moment in Tahitian history. It reminds us of the power that art holds – to capture emotions, preserve traditions, and bridge gaps between different cultures across
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