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Mouse Mat : Bruno Ryves, Vicar of Stanwell, Chaplain of King Charles I and II, died 1677. Copperplate mezzotint by Richard Earlom after an original miniature painting from Samuel Woodburn's Portraits of Characters Illustrious in British History, London, 1810
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Bruno Ryves, Vicar of Stanwell, Chaplain of King Charles I and II, died 1677. Copperplate mezzotint by Richard Earlom after an original miniature painting from Samuel Woodburn's Portraits of Characters Illustrious in British History, London, 1810
FLO4731452 Bruno Ryves, Vicar of Stanwell, Chaplain of King Charles I and II, died 1677. Copperplate mezzotint by Richard Earlom after an original miniature painting from Samuel Woodburn's Portraits of Characters Illustrious in British History, London, 1810.; (add.info.: Bruno Ryves, Vicar of Stanwell, Chaplain of King Charles I and II, died 1677. Copperplate mezzotint by Richard Earlom after an original miniature painting from Samuel Woodburn's Portraits of Characters Illustrious in British History, London, 1810.); © Florilegius
Media ID 38441918
© © Florilegius / Bridgeman Images
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.3cm x 23.7cm (6.8" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stunning copperplate mezzotint print captures the likeness of Bruno Ryves, a prominent figure in British history. As the Vicar of Stanwell and Chaplain to both King Charles I and II, Ryves played an important role in the religious and political landscape of his time.
The intricate details of this portrait, created by Richard Earlom after an original miniature painting from Samuel Woodburn's collection, showcase Ryves' dignified presence and scholarly demeanor. The fine lines and shading in the engraving bring out the depth and character of his features, making it seem as though he could step right out of the frame.
Ryves' legacy lives on through this exquisite artwork, which serves as a testament to his contributions to society during a tumultuous period in British history. The careful craftsmanship involved in creating this print highlights the skill and artistry of both the artist and engraver.
Displayed prominently on any wall, this print is sure to spark curiosity and admiration for Bruno Ryves and his significant impact on British culture. It serves as a reminder of a man who dedicated his life to serving others with unwavering devotion until his passing in 1677.
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