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Mouse Mat : What The Butler Saw. A Waiter Spying Through A Keyhole. From Illustrierte Sittengeschichte Vom Mittelalter Bis Zur Gegenwart By Eduard Fuchs, Published 1909
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What The Butler Saw. A Waiter Spying Through A Keyhole. From Illustrierte Sittengeschichte Vom Mittelalter Bis Zur Gegenwart By Eduard Fuchs, Published 1909
Design Pics offers Distinctively Different Imagery representing over 1,500 contributors
Media ID 18200071
© Ken Welsh / Design Pics
Butler Servant Spying Through Waiter Watching Keyhole Peeping Voyeur Voyeurism What
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 19.7cm x 23.7cm (7.8" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this intriguing print titled "What The Butler Saw" we are transported back to a time of secrecy and hidden desires. Taken from the book Illustrierte Sittengeschichte Vom Mittelalter Bis Zur Gegenwart by Eduard Fuchs, published in 1909, the image captures a moment of voyeurism through a keyhole. The scene depicts a waiter, positioned as the butler figure, surreptitiously spying on something or someone behind closed doors. With his eye pressed against the keyhole, he becomes an unwitting participant in an act of forbidden observation. This composition delves into themes of curiosity and clandestine behavior. Voyeurism has long fascinated human nature, offering glimpses into private lives that would otherwise remain concealed. The concept of "what the butler saw" alludes to the idea that those who serve may have access to privileged information or intimate moments not meant for their eyes. This photograph invites us to ponder questions about power dynamics and boundaries within society. It explores notions of trust and betrayal while simultaneously highlighting our innate fascination with what lies beyond our own experiences. Ken Welsh's skillful reproduction allows us to appreciate this historical artifact anew, reminding us that even in 1909 people were captivated by secrets and hidden truths. As we gaze upon this print, we become voyeurs ourselves – observers peering through time at a moment frozen forever in history.
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