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Mouse Mat : Academy Poster for Nagisa Oshimas The Boy (1969)

Academy Poster for Nagisa Oshimas The Boy (1969)




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Academy Poster for Nagisa Oshimas The Boy (1969)

AKA SHONEN
" A fascinating and moving new film from Japans leading young director"

The British Film Institute (BFI) are UK's lead organisation for film, television and the moving image

Media ID 4230444

© Estate of Peter Strausfeld

Yellow


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 18.5cm (9.3" x 7.3")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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Academy Poster for Nagisa Oshima's The Boy (1969) (AKA SHONEN) - A captivating glimpse into the world of Japan's renowned young director

EDITORS COMMENTS
. This vibrant yellow print, proudly displayed by the British Film Institute, showcases an Academy Poster for Nagisa Oshima's groundbreaking film, The Boy. Released in 1969, this masterpiece from one of Japan's most influential filmmakers offers a fascinating and moving exploration of youth and societal constraints. The poster itself is a testament to the artistic prowess behind Oshima's work. With its bold yellow hue commanding attention, it serves as a visual representation of the film's striking impact on audiences. Its simplicity speaks volumes about the power of cinema to transcend language barriers and cultural boundaries. Oshima was known for pushing cinematic boundaries and challenging societal norms through his thought-provoking storytelling. The Boy exemplifies his ability to delve deep into complex themes with sensitivity and nuance. Through stunning visuals and compelling performances, he invites viewers to question traditional notions of identity, sexuality, and rebellion. As we gaze upon this Academy Poster, we are reminded not only of Oshima's immense talent but also the enduring legacy he left behind in Japanese cinema. It serves as a reminder that great art has no expiration date; it continues to inspire generations long after its initial release. This print stands as both an homage to Oshima's visionary filmmaking style and an invitation for cinephiles worldwide to immerse themselves in this remarkable piece of cinematic history -

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