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Metal Print : The Laying in the Tomb (also known as The Deposition The

The Laying in the Tomb (also known as The Deposition The



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The Laying in the Tomb (also known as The Deposition The

The Laying in the Tomb (also known as The Deposition The Entombment ) 1602-1604. Mary of Clopas with arms raised: Mary Magdalene with bowed head: Nicodemus grasps legs of dead Christ. Michelangelo Merisi de Carvaggio (1573-1610) Italian painter. Oil on Canvas

Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide

Media ID 9768731

© Universal History Archive/Universal Images Group

Arms Christ Christian Dead Death Entombment Grief Head Italian Laying Legs Magdalene Mary Michelangelo Mourning Painter Raised Tomb 1602 1604 Bowed Deposition Grasps Merisi Nicodemus


16"x24" (61x41cm) Metal Print

Experience the profound beauty and depth of art history with our Media Storehouse Metal Prints, featuring this iconic masterpiece, "The Laying in the Tomb" by an unknown artist from Universal Images Group. This exquisite work of art, dated between 1602-1604, captures the poignant moment of Mary of Clopas raising her arms in grief, Mary Magdalene bowing her head in sorrow, and Nicodemus grasping the legs of the deceased Christ. Our high-quality Metal Prints bring out the rich colors and intricate details of this masterpiece, transforming your space into a personal gallery. Preserve this timeless piece of art for generations to come with our durable and stylish Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Europe > Italy > Related Images

> Universal Images Group (UIG) > History > Painter


EDITORS COMMENTS
This print captures the profound emotions depicted in Michelangelo Merisi de Caravaggio's masterpiece, "The Laying in the Tomb" (also known as "The Deposition" or "The Entombment"). Painted between 1602 and 1604, this Italian Christian artwork showcases a scene of intense grief and mourning. In the foreground, we see Mary of Clopas with her arms raised in despair. Her anguished expression conveys the weight of sorrow she carries for the dead Christ. Beside her, Mary Magdalene bows her head in deep sorrow, reflecting on the immense loss they have all experienced. Nicodemus takes center stage as he grasps the legs of Jesus' lifeless body. His hands symbolize both support and reverence for their fallen savior. The composition creates a powerful visual contrast between Nicodemus' strong grip and Christ's limp figure. Caravaggio's masterful use of oil on canvas brings an extraordinary level of realism to this religious scene. Through his skillful brushwork, he captures every nuance of grief and death with remarkable precision. "The Laying in the Tomb" is a testament to Caravaggio's ability to evoke raw human emotion through his artistry. It serves as a poignant reminder of Christ's sacrifice and invites viewers to reflect upon their own faith and mortality.

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