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Metal Print : Illustration from New Chronicle and Good Government by Felipe Guaman Poma de Ayala representing Inca King Atahuallpa prisoner of Spanish conqueror Pizarro in Cajamarca, in 1533
Metal Prints From Universal Images Group (UIG)
Illustration from New Chronicle and Good Government by Felipe Guaman Poma de Ayala representing Inca King Atahuallpa prisoner of Spanish conqueror Pizarro in Cajamarca, in 1533
Felipe Guama Poma de Ayala, 1587, The First New Chronicle and Good Government.The Inca King Atahuallpa prisoner of the Spanish conqueror Pizarro in Cajamarca, 1533
Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide
Media ID 9517443
16th Century Army Solider Colonialism Confrontation Conversation Inca King Literature Only Men Prison Prisoner Two People Wall Western Script Atahuallpa Felipe Guaman Poma De Ayala
16"x20" (51x41cm) Metal Print
Bring history to life with our stunning Metal Prints from Media Storehouse. This captivating illustration depicts a pivotal moment in history as told by Felipe Guaman Poma de Ayala in his seminal work, The First New Chronicle and Good Government. Witness the powerful encounter between Inca King Atahuallpa and Spanish conquistador Francisco Pizarro in Cajamarca, 1533. This exquisite illustration, sourced from Universal Images Group (UIG), is expertly reproduced on high-quality metal, ensuring a vibrant and long-lasting display. Elevate your home or office décor with this intriguing piece of historical art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print captures a pivotal moment in history, as depicted by Felipe Guaman Poma de Ayala in his renowned work, "New Chronicle and Good Government". The illustration portrays the Inca King Atahuallpa, a symbol of ancient power and sovereignty, held captive by the Spanish conqueror Pizarro in Cajamarca during 1533. The image showcases the full length confrontation between these two influential figures from opposite worlds. Atahuallpa sits against a stone wall, representing his imprisonment and vulnerability under colonial rule. The composition emphasizes their stark differences - one an indigenous ruler steeped in tradition, the other a representative of Western imperialism. In this thought-provoking artwork, we witness more than just physical captivity; it reveals the clash of cultures and ideologies that defined this tumultuous period. As they engage in conversation, we can only imagine what transpires between them - negotiations for freedom or discussions about power dynamics. Guaman Poma de Ayala's intricate detailing brings to life this historical event with precision and skill. Through his artistry, he invites us to reflect on the complexities of colonialism and its lasting impact on indigenous civilizations. This vertical masterpiece serves as both an artistic marvel and a window into our past. It reminds us of the struggles faced by those who came before us while urging us to question our own role in shaping future narratives.
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