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Metal Print : MME Wellington Koo sitting for her portrait to Mr Edmund Dulac at his studio, 117
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MME Wellington Koo sitting for her portrait to Mr Edmund Dulac at his studio, 117
MME Wellington Koo sitting for her portrait to Mr Edmund Dulac at his studio, 117 Ladbroke Road
19 August 1921
Hui-lan Oei was the daughter of Chinese businessman Oei Tiong Ham. Her marriage to Chinese diplomat and politician Vi Kyuin Wellington Koo, was announced in November 1920 whilst Wellington Koo was Chinese Minister to the United States. In early 1921, Vi Kyuin Wellington Koo was appointed the Chinese Minister to Great Britain and they lived in London until June 1946, though they divorced shortly after the Second World War
TopFoto independent historic photographs and images all subjects and eras
Media ID 11004676
© TopFoto.co.uk
Artist Alfieri Europeana Sitter
16"x20" (51x41cm) Metal Print
Step into the past with our exquisite Metal Prints from Media Storehouse. This captivating image showcases MME Wellington Koo, also known as Hui-lan Oei, as she sits for her portrait by renowned artist Mr. Edmund Dulac in his studio at 117 Ladbroke Road in 1921. The rich, vibrant colors and stunning detail of this historic photograph are brought to life through our premium metal printing process. Each print is meticulously crafted to deliver a museum-quality finish that is sure to become a cherished piece of art in your home or office. Experience the depth and dimension that only a Metal Print can provide.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a moment in history as MME Wellington Koo sits for her portrait by the renowned artist, Mr Edmund Dulac. Taken on August 19,1921, at his studio located at 117 Ladbroke Road, this image exudes an air of elegance and sophistication. MME Wellington Koo, formerly known as Hui-lan Oei, was the daughter of Chinese businessman Oei Tiong Ham. Her marriage to Chinese diplomat and politician Vi Kyuin Wellington Koo was announced in November 1920 while he served as the Chinese Minister to the United States. Shortly after their wedding, Vi Kyuin Wellington Koo was appointed as the Chinese Minister to Great Britain in early 1921. The couple resided in London until June 1946 but unfortunately divorced shortly after World War II. Despite their personal struggles, this photograph immortalizes MME Wellington Koo's grace and beauty during her time living abroad. The monochrome aesthetic adds a timeless quality to this image while highlighting both fashion trends of the era and Mr Edmund Dulac's artistic talent. It serves as a reminder of an influential figure who played a significant role in diplomatic circles during one of history's most transformative periods. Alfieri masterfully captured this historical moment through his lens without commercial intent but rather with an appreciation for artistry and cultural significance.
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