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Metal Print : 1795 Wild Man of the woods - orangutan
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1795 Wild Man of the woods - orangutan
1795 " The Orang Outang, or Wild Man of the Woods" (sic). J. Thle del et J. Chapman sculpt. from J. Frid Gmelin and Carl Linnaeus (posthumous). A Genuine and Universal System of Natural History comprising the three Kingdoms of Animals, Vegetables and Minerals. Arranged under their respective Classes, Orders, Genera and Species. Published in London, 1794 Ôé¼" 1810. Linnaeus wrote to Gmelin in 1747 " It is not pleasing that I placed humans among the primates, but man knows himself", " if I called man an ape or vice versa I would bring together all the theologians against me. Perhaps I ought to scientifically". Images like this, that emphasised the human qualities of apes - or wild men of the woods - were common from the 16th Century up to the early 19th Century
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6315755
© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com
18th Century Ancestor Anthropomorphic Descent Hominid Linnaeus Natural History Orang Orang Utan Origin Religion Taxonomy Anthropoid Gmelin Linne Outang Pongo Pygmaeus
16"x24" (61x41cm) Metal Print
Bring the enchanting world of the wild Orangutan into your home with our Media Storehouse Metal Prints. Featuring the captivating image of the 1795 "Wild Man of the Woods" by Paul D. Stewart from Science Photo Library, this metal print showcases the intricate detail and timeless beauty of this iconic orangutan sculpture. Originally sculpted by J. Thle del and J. Chapman, and inspired by the groundbreaking work of J.F.G. Gmelin and Carl Linnaeus, this metal print is a testament to the rich history of natural history. Each print is meticulously crafted using high-quality metal and vibrant, fade-resistant inks, ensuring a stunning, long-lasting display that adds character and depth to any room. Experience the wonder of the natural world with our Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "1795 Wild Man of the woods - orangutan" takes us back to the 18th century, a time when scientific exploration and curiosity were at their peak. The image is an illustration from J. Frid Gmelin and Carl Linnaeus' posthumous work, "A Genuine and Universal System of Natural History" published in London between 1794 and 1810. The photograph showcases an orangutan, also known as the "Wild Man of the Woods". It highlights how images like this were prevalent during that era, emphasizing the human-like qualities of apes. This portrayal was common from the 16th century until the early 19th century. Linnaeus himself acknowledged his discomfort with classifying humans among primates due to potential theological backlash. He wrote to Gmelin in 1747 stating that if he called man an ape or vice versa, it would bring all theologians against him. However, he recognized that man knows himself best and perhaps should be scientifically classified. The image raises questions about our origins, taxonomy, descent, and ancestral connections with anthropoids such as orangutans. It invites contemplation on humanity's place within nature while acknowledging religious sensitivities surrounding these discussions. Paul D. Stewart's skillful reproduction allows us to appreciate this historical artwork for its scientific significance and artistic beauty alike. As we gaze upon this mesmerizing piece from Science Photo Library's collection on natural history illustrations from centuries past, we are reminded of our intricate relationship with nature and our continuous quest for knowledge about ourselves as well as other species inhabiting our planet.
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