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Metal Print : Life at the Top, 1965 film, on location filming around The Economist building in St James

Life at the Top, 1965 film, on location filming around The Economist building in St James



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Life at the Top, 1965 film, on location filming around The Economist building in St James

Life at the Top, 1965 film, on location filming around The Economist building in St James, London, SW1, Sunday 25th July 1965.
The film stars Laurence Harvey, who reprises the role of Joe Lampton in a sequel to 1959 film Room at the Top.
Our picture shows.... Terence Stamp and Jean Shrimpton, who met Laurence Harvey for a chat during a break in filming. Also pictured, producer James Woolf

Eddie Waters
Daily Mirror
Mirrorpix
London
Greater London
England
U6545

Media ID 21800611

© Mirrorpix

Life At The Top On Location 1965 Filming


16"x24" (61x41cm) Metal Print

Step into the past with our stunning Media Storehouse Metal Print featuring the iconic image of "Life at the Top," a 1965 film on location at The Economist building in St. James, London. Captured by the talented Eddie Waters of Memory Lane Prints, this photograph transports you back in time to a Sunday in July, where the magic of filmmaking came to life around the historic Economist building. The vibrant colors and exceptional detail of this Metal Print are sure to bring a touch of classic charm to any space, making it a must-have for film enthusiasts and history buffs alike.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Memory Lane Prints > Mirror > 1100to1199 > 01110

> Arts > Film

> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Film

> Europe > United Kingdom > England > London > Fashion

> Popular Themes > Film Poster

> Posters > Movie Posters > Related Images


EDITORS COMMENTS
In this print from 1965, we are transported back to the filming of "Life at the Top" around The Economist building in St James, London. This highly anticipated film serves as a sequel to the acclaimed 1959 movie "Room at the Top" with Laurence Harvey reprising his role as Joe Lampton. Amidst the hustle and bustle of on-location filming, our picture captures a special moment during a break when Terence Stamp and Jean Shrimpton engage in conversation with Laurence Harvey. These three talented individuals take advantage of this brief respite to exchange thoughts and perhaps share anecdotes about their experiences in the entertainment industry. The presence of producer James Woolf adds an air of professionalism and excitement to this behind-the-scenes glimpse into the making of "Life at the Top". As they gather near The Economist building, one can't help but be struck by their stylish attire that reflects both contemporary fashion trends and classic elegance. This photograph not only immortalizes these iconic figures from 1960s cinema but also transports us back to a time when filmmaking was truly an art form. It is a testament to Eddie Waters' skillful eye for capturing moments that evoke nostalgia and allow us to relive cherished memories from days gone by.

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