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Metal Print : Victorian Wallpaper - in popular emerald green - which contained poisonous arsenic
Metal Prints from Mary Evans Picture Library
Victorian Wallpaper - in popular emerald green - which contained poisonous arsenic
Victorian Wallpaper - in popular emerald green - which contained poisonous arsenic. William Morris, famed for his wallpaper designs, was the son of the owner of the largest arsenic producing company in the country. He was sceptical that arsenic was bad for you and held that because he had arsenical wallpaper in his home (and wasn t sick) it had to be something else! Morris did however stop using arsenic in their papers as the result of public pressure, newspaper reports and a general idea that arsenic was toxic, not just when ingested. Date: 19th century
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 20029080
© Mary Evans / The National Archives, London. England
Archives Arsenic Covering Health Poison Poisonous Sample Toxic Wallpaper
20"x24" (61x51cm) Metal Print
Step into the captivating world of Victorian elegance with our Media Storehouse Metal Prints featuring an exquisite emerald green wallpaper design, sourced from Mary Evans Prints Online. This mesmerizing piece, inspired by the legendary William Morris, tells a hidden story of the past. The allure of its rich, verdant hue belies a darker history - the wallpaper once contained poisonous arsenic, a common additive during the Victorian era. Each Metal Print is meticulously crafted to bring out the intricate details of this iconic design, ensuring a stunning addition to your home that tells a story as captivating as the design itself. Embrace the charm of the past while adding a modern twist with our high-quality, long-lasting Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 60.9cm x 50.8cm (24" x 20")
Estimated Product Size is 61.5cm x 51.4cm (24.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This photograph showcases a vintage sample of Victorian-era emerald green wallpaper, a popular choice during the 19th century. The allure of this exquisite design, with its intricate floral motifs, transports us back in time to an era of opulence and elegance. However, this seemingly beautiful adornment holds a hidden, dark secret. The emerald hue of this wallpaper was achieved through the use of a notorious ingredient: arsenic. At the time, arsenic was a common additive in wallpaper production, adding vibrancy and longevity to the designs. However, its inclusion came with a steep price. William Morris, a renowned figure of the Victorian era, was the son of the owner of the largest arsenic producing company in the country. Despite the mounting evidence of arsenic's toxicity, Morris, who was also a prominent designer, remained skeptical. He believed that because he and his family were not showing any signs of illness, the arsenic in their wallpaper could not be the cause. However, public pressure, newspaper reports, and a growing awareness of arsenic's toxicity eventually led Morris to abandon the use of arsenic in his wallpaper designs. The truth about the dangers of arsenic was beginning to spread, and the public demanded safer alternatives. This photograph serves as a stark reminder of the complex relationship between beauty, innovation, and health during the Victorian era. Though the emerald green wallpaper may have once been a symbol of wealth and sophistication, it now stands as a testament to the hidden costs of progress.
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