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Metal Print : The Underground - Dugdale
Metal Prints From Mary Evans Picture Library
The Underground - Dugdale
The Underground - from the picture by T. C. Dugdale, R.O.I Date: 1932
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7233855
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10500243
1932 Hoop Metro Passengers Subway Travelling Under Ground Bell Boy
16"x20" (51x41cm) Metal Print
Bring the timeless charm of T.C. Dugdale's iconic 'The Underground' painting to your home or office with Media Storehouse Metal Prints. This exquisite piece, dating back to 1932 and sourced from Mary Evans Prints Online, showcases the rich history and character of the London Underground. The high-quality metal print finish adds depth and vibrancy to the intricate details of Dugdale's masterpiece, ensuring a stunning and long-lasting display. Elevate your space with this captivating piece of art that tells a story of the past while adding a modern touch to your decor.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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> Popular Themes
> Railway Posters
> Transportation
> Trains
EDITORS COMMENTS
The Underground - Dugdale" is a captivating photograph taken by renowned Irish artist Thomas Connolly Dugdale in 1932. The image transports us back in time to the 1930s, an era of innovation and transformation, as we witness the bustling activity of an underground railway station. The photograph showcases a hoop-shaped bell boy standing at the entrance of the underground station, holding a bell in his hand, ready to assist passengers as they make their way down the stairs. In the background, a train is visible, its steamy windows revealing the faces of curious and expectant passengers. The train's arrival signals the start of another journey, as travelers from all walks of life make their way through the station, some carrying luggage, others deep in conversation. The intricate details of the photograph, from the worn-out stairs to the ornate railings, provide a glimpse into the character and charm of the 1930s. The use of light and shadow adds depth and texture to the image, creating a sense of movement and energy that is both captivating and timeless. The photograph captures the essence of travel during this era, with its combination of anticipation, excitement, and the sense of adventure that comes with embarking on a journey beneath the ground. It is a reminder of a bygone era, when the simple act of taking a train ride was a significant event, and the world seemed just a little bit smaller. Overall, "The Underground - Dugdale" is a stunning piece of photographic history, offering a unique perspective on travel in the 1930s and the human experience of making connections, both literal and metaphorical, beneath the ground.
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