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Metal Print : Stanislavsky, Konstantin Sergeyevich (1863-1938)

Stanislavsky, Konstantin Sergeyevich (1863-1938)



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Stanislavsky, Konstantin Sergeyevich (1863-1938)

TAMAYO, Jos (1920-2003); CERVANTES SaVEDRA, Miguel de (1547-1616). Spanish writer. Performance of the play Numancia in the Roman Theatre

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 8262079

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10212641

1547 1616 1863 1938 2003 Cervantes Konstantin Miguel Numancia Performance Saavedra Sergeyevich Stanislavsky Aisa


16"x24" (61x41cm) Metal Print

Bring the timeless art of theatre to your home or office with our exquisite Metal Prints from Media Storehouse. Featuring this captivating image of Konstantin Stanislavsky, the renowned Russian actor and theatre innovator, this print is sourced from the Mary Evans Prints Online archive. Originally captured by photographer Tamaio Jos, this image showcases Stanislavsky in the midst of a performance of Miguel de Cervantes Saavedra's play 'Numancia' in the Roman Theatre. Each Metal Print is meticulously crafted, providing a stunning, vibrant, and long-lasting display of this iconic moment in theatre history. Elevate your space with this unique and beautiful work of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This photograph captures the legendary Russian actor and theatre innovator, Konstantin Sergeyevich Stanislavsky (1863-1938), in the midst of a performance of the Spanish play "Numancia" in the ancient Roman Theatre. The year was 1920, and Stanislavsky, a pioneer of realistic acting, was bringing new life to the classic text penned by Miguel de Cervantes Saavedra (1547-1616), a renowned Spanish writer and poet. The image, taken by the esteemed Japanese-American photographer, Jos Tamayo (1920-2003), showcases Stanislavsky's intense focus and deep connection to the historical text. The Roman Theatre, with its ancient ruins and rich history, serves as the perfect backdrop for this theatrical moment. "Numancia," a play that tells the story of the last stand of the ancient Celtiberian city against the Roman Empire, holds a special significance for both Stanislavsky and Cervantes. For Stanislavsky, it represented a chance to explore the depths of human emotion and the power of theatre to transport audiences to another time and place. For Cervantes, it was a testament to the enduring relevance of history and the human spirit. This photograph is a poignant reminder of the importance of preserving the past and the power of art to bridge cultural divides. The image of Stanislavsky, lost in the moment, brings to life the words of Cervantes and transports us to a time when the Roman Theatre was once again filled with the sounds of laughter, tears, and the collective imagination of an audience.

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