Metal Print : Sphere cover - Allied soldiers in Macedonia by Matania
Metal Prints From Mary Evans Picture Library
Sphere cover - Allied soldiers in Macedonia by Matania
Front cover illustration by Fortunino Matania showing a group of Allied soldiers in Macedonai surveying a monument bearing an inscription in Bulgarian placed by General Mackensen beside a road built by him - " the 9th Company of the 10th Regiment of Rhodope, 8th Division of the Southern Army of General Mackensen. The lower inscription was added by the French soldiers of General Sarrail when Allied troops captured the ground on which the monument stands in 1916 - Yes, but Sarrail upset it. Date: 1918
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14167198
© Illustrated London News Ltd/Mary Evans
Allied Allies Captured Fortunino Gained Gaining Inscription Inscriptions Macedonia Mackensen Matania Monuments Sarrail Sphere
16"x24" (61x41cm) Metal Print
Bring history to life with our exquisite Metal Prints from Media Storehouse. Featuring the iconic illustration "Allied soldiers in Macedonia" by Fortunino Matania, this masterpiece is now available as a high-quality Metal Print. Originally published in the front cover of a magazine in 1916, this image depicts a group of Allied soldiers surveying a monument in Macedonia, with General Mackensen beside a road built. The intricate details and vibrant colors of this artwork are beautifully preserved in our Metal Prints, making it a stunning addition to any home or office. With its sleek, modern design and durable, scratch-resistant surface, this Metal Print is not only a work of art but also a long-lasting investment. Get your hands on this piece of history today and add a touch of elegance and sophistication to your space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 37.2cm x 61.5cm (14.6" x 24.2")
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative illustration by Fortunino Matania captures a pivotal moment in the history of the Macedonian front during World War I. The scene depicts a group of Allied soldiers, including British and French troops, gathered around a monument in Macedonia. The monument, erected by General Mackensen of the Central Powers, bears an inscription in Bulgarian, commemorating the 9th Company of the 10th Regiment of Rhodope, 8th Division of the Southern Army. However, the lower inscription added by the French soldiers of General Sarrail indicates that the Allied troops had recently captured the ground on which the monument stands, in 1916. The inscription reads, "Yes, but Sarrail upset it." The image captures the tense and uncertain atmosphere of the war, with the soldiers carefully surveying their new territory and reflecting on the recent struggle for control. The monument, with its inscriptions in both Bulgarian and French, serves as a powerful symbol of the complex and shifting alliances and power dynamics of the war. Matania's illustration offers a glimpse into the historical significance of this moment in the Macedonian campaign, providing a visual record of the Allied forces' gains in the region. The intricate details and rich colors of the artwork bring the scene to life, transporting us back to the battlefields of World War I and offering a poignant reminder of the sacrifices and struggles of the soldiers who fought there.
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