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Metal Print : Satirical cartoon on poverty, WW1
Metal Prints from Mary Evans Picture Library
Satirical cartoon on poverty, WW1
A satirical cartoon by the German artist George Grosz, showing three people living in a slum. An elderly woman sits on a chair, a young boy is slumped at the table, and an invalid (or possibly even a dead body) lies in the bed. The caption (in German), a quotation from the poet Rilke, reads: Poverty is a great splendour from within. Date: 1914-1918
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Media ID 7194423
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10547825
Body Dead Elderly Invalid Living Lying Satire Satirical Slum Slumped Grosz
16"x24" (61x41cm) Metal Print
Introducing the Media Storehouse Metal Prints featuring a thought-provoking satirical cartoon by George Grosz from Mary Evans Prints Online. This powerful image, titled "WW1 - The Three Pillars of the New Order," depicts the harsh realities of poverty in a poignant and provocative way. The intricate details of the scene come to life on high-quality metal, adding depth and dimension to this timeless piece. Each print is individually crafted with a durable coating to ensure vibrant colors and long-lasting beauty. Bring this thought-provoking art into your home or office and spark meaningful conversations with every glance. Order now and join the conversation.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this poignant and satirical cartoon by German artist George Grosz, entitled 'Poverty is a great splendour from within' (1914-1918), we witness a bleak and desolate scene of poverty in the midst of the chaos and turmoil of World War I. The room is cramped and dingy, with an elderly woman sitting dejectedly in a worn-out chair, her face etched with the lines of age and hardship. A young boy, slumped over a table, appears to be lost in thought or perhaps even asleep, oblivious to the harsh realities of his surroundings. In the background, an invalid or possibly even a dead body lies unmoving in a bed, a stark reminder of the devastating effects of poverty. The quote inscribed in the caption, 'Poverty is a great splendour from within,' is a poignant and thought-provoking commentary on the human condition. This quotation, penned by the renowned German poet Rilke, challenges our perceptions of poverty and invites us to see it not as a shameful or degrading state, but rather as a profound and even noble experience. The cartoon, with its raw and unflinching depiction of poverty, serves as a powerful reminder of the human spirit's ability to find beauty and meaning in even the most challenging circumstances. Grosz's masterful use of line, form, and color conveys a sense of despair and hopelessness, yet also a deep sense of empathy and compassion for the human condition. This powerful and thought-provoking work of art is a testament to the enduring power of satire as a tool for social commentary and political critique.
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