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Metal Print : Review in the Tatler
Metal Prints from Mary Evans Picture Library
Review in the Tatler
A theatrical review in The Tatler of the play Roberts Wife featuring cartoons by Tom Titt of Owen Nares, Edith Evans and Robert Holmes
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 777012
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10235916
Caricatures Edith Evans Featuring Holmes Magazines Nares Owen Review Tatler Titt 15th 1937 December
16"x20" (51x41cm) Metal Print
Step into the world of theatrical brilliance with Media Storehouse's Metal Prints featuring a captivating review from The Tatler. This exquisite piece, sourced from Mary Evans Prints Online, showcases a theatrical review of Roberts Wife, adorned with Tom Titt's iconic cartoons of Owen Nares, Edith Evans, and Robert Holmes. Each Metal Print is meticulously crafted to bring the vintage charm of this Tatler review to life, with stunning clarity and vibrant colors. Transform any space into a gallery-worthy display of theatrical history with this unique and timeless piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
December 15, 1937: A Theatrical Triumph in the Tatler This print from the archives of Mary Evans Picture Library showcases a theatrical review from the prestigious Tatler magazine, featuring a scathingly witty critique of the play "Roberts Wife." The review, penned by an anonymous author, praises the production for its "tremendous vitality and brilliance," and commends the performances of Owen Nares as "Roberts," Edith Evans as "Mrs. Roberts," and Robert Holmes as "Bosinney." The Tatler's editorial team, known for their incisive commentary and sharp wit, often employed the services of renowned cartoonists to add visual humor and commentary to their pages. In this instance, the magazine enlisted the talents of Tom Titt, whose caricatures of Owen Nares, Edith Evans, and Robert Holmes grace the page alongside the text. Titt's cartoons capture the essence of each actor's performance, with Nares depicted as a dapper, intense Roberts, Evans as a regal and commanding Mrs. Roberts, and Holmes as a youthful and earnest Bosinney. The caricatures not only add a playful touch to the review but also serve as a visual record of the actors' likenesses and their portrayals in the production. As the holiday season approached in 1937, the Tatler continued to provide its readers with insightful and entertaining coverage of the London stage, solidifying its reputation as a must-read for those with a passion for the arts. This print offers a fascinating glimpse into the world of London theatre during a bygone era, and serves as a testament to the enduring power of the written word and the visual image to captivate and entertain.
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