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Metal Print : Smoking chimneys, early morning in Blaenavon, South Wales
Metal Prints From Mary Evans Picture Library
Smoking chimneys, early morning in Blaenavon, South Wales
Early morning and the coal fires smoke from chimneys in Blaenavon, South Wales. The Sunday Times Date: 1988
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 19535251
© Philip Dunn / Mary Evans Picture Library
1988 Area Blaenavon Chimneys Coal Council Dunn Eighties Fires Mining Philip Valleys
16"x24" (61x41cm) Metal Print
Bring the industrial heritage of Blaenavon, South Wales into your home with our stunning Metal Print of early morning chimneys in action. This captivating image, sourced from Mary Evans Prints Online, showcases the coal fires smoking against the backdrop of a tranquil sunrise. Our high-quality Metal Prints are known for their vibrant colors and long-lasting durability, making this a perfect addition to any room in your house. Transport yourself back in time with this evocative and intriguing piece of history.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this evocative black-and-white photograph, the early morning landscape of Blaenavon, South Wales, comes to life as the coal fires in the chimneys begin to belch out smoke. The sun has not yet risen, casting the valley in a soft, ethereal glow that contrasts sharply with the industrial grit of the scene. The council houses, huddled together in tight rows, are dwarfed by the massive chimneys that dominate the skyline. The streets are quiet and still, save for the steady rhythm of the smoke rising from the chimneys, a reminder of the area's deep-rooted mining heritage. The photograph, taken in 1988, captures the essence of life in a Welsh mining community during the 1980s. The 80s were a pivotal time for the region, as the coal industry was in decline and the area was undergoing significant social and economic change. The image serves as a poignant snapshot of a way of life that was rapidly disappearing, as the smoke from the chimneys became a symbol of the area's industrial past. The photograph was taken by renowned British photographer Philip Dunn, who captured the raw beauty and complexity of the industrial landscape with a keen eye for detail and a deep appreciation for the human stories that lay beneath the surface. His work has been featured in numerous publications, including The Sunday Times, and his images continue to be celebrated for their evocative and thought-provoking depictions of the world around us. Whether viewed as a historical document or a work of art, this photograph invites us to reflect on the past and consider the legacy of the industrial revolution in Wales and beyond. It is a powerful reminder of the indelible mark that industry has left on our landscapes and the people who call them home.
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