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Metal Print : Photograph: Ranghar of the Indian Army, Eastern Punjab
Metal Prints From Mary Evans Picture Library
Photograph: Ranghar of the Indian Army, Eastern Punjab
Photograph: Ranghar of the Indian Army, Eastern Punjab, 1943-44. Ranghar was a term applied by Hindus to any Rajput who had, or whose ancestors had, converted to Islam. They were one of the Martial Races, certain Indian peoples thought by the British to possess a natural ability as soldiers. In reality the Martial Race theory was a clever British effort to divide the people of India for their own political ends. From a collection of photographs taken to illustrate the races recruited into the Indian Army and the geographical areas in which they originated. Date: 1943
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Media ID 14389831
© The National Army Museum / Mary Evans Picture Library
1943 1947 Ancestors Applied Converted Hindus Islam Maharashtra Punjab Rajput Term 1922
16"x20" (51x41cm) Metal Print
Bring history to life with our Media Storehouse Metal Prints featuring the evocative image of Ranghar of the Indian Army, Eastern Punjab. This powerful photograph, sourced from Mary Evans Prints Online, captures the spirit of the complex historical context of the region during 1943-44. The Ranghar was a term used for Rajputs who had converted to Islam, and this image offers a unique glimpse into the diverse military landscape of the time. Our high-quality metal prints are not only stunning works of art but also durable and long-lasting, making them perfect additions to any home or office space. Experience the depth and texture of this captivating image like never before with Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative photograph captures the stoic gaze of a Ranghar soldier of the Indian Army, hailing from Eastern Punjab, during the mid-1940s. The Ranghar were a distinct community of people, historically identified as Rajputs who had converted to Islam. The term 'Ranghar' was commonly used by Hindus to distinguish them from their Muslim counterparts. The British colonial administration in India, in their quest to recruit a large and effective army, propagated the 'Martial Race' theory. This theory, based on racial and ethnic stereotypes, suggested that certain Indian communities possessed an inherent military prowess. The Ranghar, along with other communities such as the Sikhs, Jats, and Gurkhas, were categorized as 'Martial Races' due to their supposed martial qualities. This photograph, taken in 1943, is a testament to the rich cultural diversity of the Indian subcontinent and the complexities of its people. The Ranghar soldier, dressed in his military uniform, stands proudly against a backdrop of what appears to be a barren landscape, likely from the region of Ahmednagar in Maharashtra, western India. The image offers a glimpse into the lives of these soldiers and their contributions to the Indian Army during a pivotal period in Indian history, as the country moved towards independence in 1947. The photograph is part of a larger collection of images documenting the various races and regions represented in the Indian Army during the 1920s to the 1940s. These images offer valuable insights into the social, cultural, and historical contexts of the time and serve as a reminder of the complex interplay between colonialism, identity, and military service in India's past.
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