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Metal Print : Study Of A Woman Dressing
Metal Prints From Mary Evans Picture Library
Study Of A Woman Dressing
A sketch study of a young lady sat on a simple chair, fastening the straps of some shoes. Date: circa 1901
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 32261400
© CLM Archive Collection / Mary Evans
Alexandre Dressing Fastening Issue Lalbum Maitres Shoes Simple Steinlen Straps Study Theophile 1901
16"x20" (51x41cm) Metal Print
Bring timeless elegance into your home with our Media Storehouse Metal Prints featuring the captivating Study Of A Woman Dressing by Mary Evans Prints Online. This exquisite sketch, dating back to circa 1901 from the March of the Women Collection, showcases a young lady in a moment of quiet introspection as she fastens the straps of her shoes. Our high-quality metal prints are not only visually stunning but also durable, making them an excellent addition to any room in your house. The vibrant colors and intricate details of this classic artwork are beautifully preserved, ensuring that you can enjoy its beauty for years to come. Order now and add a touch of history and sophistication to your living space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This sketch study, titled "Study of a Woman Dressing," dates back to circa 1901 and showcases the artistic brilliance of Theophile Alexandre Steinlen. The young lady in the image sits comfortably on a simple wooden chair, her back facing the viewer, as she carefully fastens the straps of her shoes. Her posture exudes a sense of calm and concentration, as if she is lost in thought or engrossed in the task at hand. Steinlen, a renowned French artist and caricaturist, masterfully captures the essence of this everyday moment with exceptional detail and sensitivity. The lines of the young woman's body are fluid and graceful, and the subtle textures of her clothing and the chair add depth and dimension to the piece. The muted colors of the sketch lend an air of intimacy and introspection, inviting the viewer to contemplate the woman's thoughts and emotions. This study is a beautiful example of Steinlen's ability to find beauty in the ordinary, and it serves as a poignant reminder of the simple joys and pleasures of daily life. The image is a testament to the power of observation and the transformative effect of artistic interpretation, inviting us to appreciate the world around us with fresh eyes and an open heart. This exquisite sketch study is part of the Mary Evans Prints Online collection, Les Maitres de la Caricature, Issue 11, April 1901. It is a valuable addition to any collection of fine art or art history, and a testament to the enduring appeal of Steinlen's work.
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