Metal Print : La Ville En Feu! The City On Fire!

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Metal Prints From Mary Evans Picture Library

La Ville En Feu! The City On Fire!

An atmospheric illustration of an ornately designed bridge under a darkening, hazy sky, in front of an audience of monstrous gargoyles. Date: circa 1901

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 32261378

© CLM Archive Collection / Mary Evans

Atmospheric Audience Gargoyles Hazy Issue Lalbum Maitres Monstrous Ornately Robida Ville 1901 Albert Darkening Designed

16"x24" (61x41cm) Metal Print

Bring the captivating art of the past into your modern home with Media Storehouse's Metal Prints. Feast your eyes on the atmospheric illustration, "La Ville En Feu! The City On Fire!", from the March of the Women Collection by Mary Evans Prints Online. This timeless piece, circa 1901, showcases an ornately designed bridge under a darkening, hazy sky, surrounded by an audience of monstrous gargoyles. Our high-quality Metal Prints add a unique, contemporary twist to this evocative artwork, enhancing its intricate details and vibrant colors. Transform any space into a gallery with this mesmerizing piece of history.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > New Images July 2023

> Arts > Artists > R > Albert Robida

EDITORS COMMENTS
La Ville En Feu! The City on Fire! (circa 1901) is an atmospheric and captivating illustration by the renowned French caricaturist, Albert Robida, from the album "Les Maîtres de Caricature" issue 10, published by March of the Women Collection. This evocative print showcases an ornately designed bridge, its intricate details lost in the shadows as a darkening, hazy sky looms ominously overhead. The bridge, a marvel of engineering and artistry, stands defiant against the encroaching flames, its arches reaching towards the heavens. The scene is further enlivened by an audience of monstrous gargoyles, their grotesque features illuminated by the flickering glow of the fire. Their stone faces, etched with expressions of awe, fear, and curiosity, add an element of whimsy and wonder to the otherwise ominous image. The gargoyles, guardians of the bridge, seem to be observing the city's transformation with a mixture of concern and fascination. The date of this illustration, circa 1901, places it at the turn of the 20th century, a time of great change and innovation. The use of dramatic lighting and intricate detail in this print reflects the artistic style of the time, which celebrated the beauty and complexity of the world around them. La Ville En Feu! is not only a stunning work of art but also a reminder of the power and beauty of nature, even in its most destructive form. It invites us to ponder the resilience of the human spirit and the enduring allure of the city, even in the face of adversity.

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