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Metal Print : The yak of Tartary, painted by George Stubbs
Metal Prints From Mary Evans Picture Library
The yak of Tartary, painted by George Stubbs
The yak of Tartary, Bos grunniens, painted by George Stubbs. From Captain Samuel Turners Account of an Embassy to the Court of the Teshoo Lama in Tibet, 1800. Copperplate engraving by Dell Acqua handcoloured by Lazaretti from Giovanni Battista Sonzognos Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817. The yak of Tartary, Bos grunniens, painted by George Stubbs. From Captain Samuel Turners Account of an Embassy to the Court of the Teshoo Lama in Tibet, 1800. Copperplate engraving by Dell Acqua handcoloured by Lazaretti from Giovanni Battista Sonzognos Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23208546
© Florilegius/Mary Evans
Battista Dellacqua Giovanni Interessanti Interesting Lazaretti Milan Most Raccolta Sonzogno Stubbs Tartary Travels Viaggi Voyages Grunniens
16"x20" (51x41cm) Metal Print
Bring the captivating artistry of George Stubbs to your home or office with our Media Storehouse Metal Prints. This exquisite piece features The Yak of Tartary, a painting of the Bos grunniens breed from the renowned artist's work, originally published in Captain Samuel Turner's Account of an Embassy to the Court of the Teshoo Lama in Tibet in 1800. Our high-quality metal prints are not only visually stunning but also durable, making them perfect additions to any space. Experience the rich textures and vibrant colors as if you were there, with each print meticulously crafted to bring out the intricacies of Stubbs' masterpiece. Elevate your interior design with this unique and captivating work of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This image showcases George Stubbs' painting of a Yak of Tartary, scientifically known as Bos grunniens. The artwork was created based on Captain Samuel Turner's account of his embassy to the Court of the Teshoo Lama in Tibet in 1800. The painting was later reproduced as a copperplate engraving by Dell Acqua and hand-colored by Lazaretti for Giovanni Battista Sonzogno's Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti) published in Milan between 1815 and 1817. The Yak of Tartary, a large and sturdy animal native to the Tibetan plateau, is depicted in this painting with remarkable detail and accuracy. With its shaggy coat, long curved horns, and powerful build, the Yak is a quintessential symbol of the harsh and rugged terrain of Central Asia. The painting provides a glimpse into the natural history of the Yak, which was an essential source of food, transportation, and warmth for the local communities. The animal's ability to survive in extreme conditions made it an invaluable asset, and its image became a symbol of strength and resilience. This artwork is not only a testament to Stubbs' artistic skill but also a valuable historical record of a fascinating animal and its role in the culture and daily life of the people of Tartary. The intricate details of the Yak's fur, the texture of its horns, and the expression in its eyes all contribute to a captivating and lifelike representation of this remarkable creature.
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