Metal Print : Mlle. Aline as the First Boatman in Les Pommes

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Metal Prints from Mary Evans Picture Library

Mlle. Aline as the First Boatman in Les Pommes

French actress Mlle. Aline as the First Boatman in Les Pommes de Terre Malades by Dumanoir and Clairville, Theatre du Palais Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollets Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23177398

© Florilegius/Mary Evans

Alexandre Boatman Clairville Dollet Dramatique Dumanoir First Galerie Lacauchie Lasalle Mlle Palais Premier Terre Victor Aline Crossdresser Pommes Transvetite

16"x24" (61x41cm) Metal Print

Bring a touch of 19th-century French theater to your home or office with our stunning Media Storehouse Metal Print featuring Mlle. Aline as the First Boatman in Les Pommes by Rights Managed from Mary Evans Prints Online. This captivating image, taken from the Theatre du Palais Royal production in 1845, showcases the grace and elegance of Mlle. Aline as she skillfully navigates a boat in this classic Dumanoir and Clairville play. Our high-quality metal prints are known for their vibrant colors, sharp details, and long-lasting durability, making them a perfect addition to any decor. Elevate your space with this beautiful and intriguing piece of theatrical history.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

EDITORS COMMENTS
Mlle. Aline, the Renowned Crossdresser: A Stirring Portrayal of the First Boatman in Les Pommes de Terre Malades This handcoloured lithograph, created in 1845, showcases the extraordinary talent of Mlle. Aline as she takes on the role of the First Boatman in the theatrical production Les Pommes de Terre Malades by Dumanoir and Clairville, staged at the Theatre du Palais Royal. The image, an illustration by Alexandre Lacauchie from Victor Dollets Galerie Dramatique, offers a glimpse into the mesmerizing world of 19th-century French theatre. Mlle. Aline, a renowned crossdresser and transvestite performer, captivated audiences with her ability to convincingly embody male characters. In this production, she masterfully portrays the First Boatman, adding yet another layer to her impressive repertoire. The intricately detailed lithograph highlights her striking costume and the intense expression on her face, immersing us in the drama unfolding on stage. The Theatre du Palais Royal was a prominent venue for innovative and provocative productions during this era. Les Pommes de Terre Malades, a play that delved into themes of love, betrayal, and the supernatural, was no exception. Mlle. Aline's performance as the First Boatman added an extra dimension to the production, leaving audiences in awe of her artistry and versatility. This exquisite handcoloured lithograph not only serves as a testament to Mlle. Aline's remarkable talent but also offers a fascinating glimpse into the world of 19th-century French theatre and the captivating performances that left audiences spellbound.

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