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Metal Print : Marie d Hautefort, wife of Charles de Schomberg, 1616-1691

Marie d Hautefort, wife of Charles de Schomberg, 1616-1691



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Marie d Hautefort, wife of Charles de Schomberg, 1616-1691

Marie d Hautefort, wife of Charles de Schomberg, favourite of Louis XIV, 1616-1691. She wears her hair in ringlets, a mantua dress in blue silk with lace collar and sleeves, gold embroidered petticoat. She holds a feather fan. After a miniature on vellum in the editors collection. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23186524

© Florilegius/Mary Evans

Embroidery Favourite Feather Gatine Georges Jacques Lace Mademoiselle Marie Petticoat Ringlets Schomberg Silk Sleeves


16"x24" (61x41cm) Metal Print

Bring historical elegance into your home with our exquisite Marie d Hautefort Metal Print from Media Storehouse. This stunning image, sourced from Mary Evans Prints Online, showcases Marie d Hautefort, the favored wife of Charles de Schomberg and a favorite of King Louis XIV. Captured in intricate detail, Marie is depicted in a blue silk mantua dress adorned with lace collar and sleeves, her hair cascading in ringlets. Our high-quality Metal Prints are known for their vibrant colors, exceptional clarity, and long-lasting durability. Each print is meticulously printed on a lightweight aluminum sheet, resulting in a sleek, modern look that complements any decor. Elevate your interior design with a touch of history and beauty - order your Marie d Hautefort Metal Print today!

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > New Images August 2021

> Arts > Artists > C > Jacques Charles

> Arts > Artists > G > Charles Gold

> Europe > Italy > Lombardy > Mantua


EDITORS COMMENTS
Marie d'Hautefort, wife of Charles de Schomberg, was a favorite of King Louis XIV of France in the 17th century. In this stunning handcoloured copperplate engraving by Georges Jacques Gatine, Marie is depicted in elegant attire, wearing her hair in ringlets and adorned with a mantua dress in rich blue silk, featuring a lace collar and sleeves. The gold embroidery on her petticoat adds an extra touch of opulence to her appearance. Marie holds a feather fan, a fashionable accessory of the time, which she uses to keep cool or to fan away unwanted attention. The engraving is based on a miniature on vellum in the editor's collection and was originally published in the "Galerie Francaise de Femmes Celebres" in Paris in 1827. Marie d'Hautefort's beauty and grace continue to captivate viewers even centuries after her time, making this a truly timeless piece of art.

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