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Metal Print : Forked-petaled flower de luce, Iris dichotoma
Metal Prints From Mary Evans Picture Library
Forked-petaled flower de luce, Iris dichotoma
Forked-petaled flower de luce, Iris dichotoma. Handcoloured copperplate engraving by A. Bailey after Edwin Dalton Smith from John Lindley and Robert Sweets Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23206692
© Florilegius/Mary Evans
Bailey Dalton Edwin Iris Lindley Luce Ornamental Shrubbery Sweet Dichotoma Smith
16"x24" (61x41cm) Metal Print
Bring the enchanting beauty of nature into your home with Media Storehouse's Metal Prints featuring the exquisite Forked-petaled flower de Luce, Iris dichotoma. This stunning image, hand-selected from the archives of Mary Evans Prints Online, is a hand-colored copperplate engraving by A. Bailey after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery. Our high-quality Metal Prints are not just a print; they are works of art that are sure to captivate and inspire. Each print is meticulously printed on a sheet of aluminum, resulting in a vibrant, long-lasting image that is waterproof, scratch-resistant, and UV-protected. Add a touch of elegance and sophistication to any room with this beautiful representation of nature's intricate details.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This exquisite hand-colored copperplate engraving showcases the enchanting beauty of the Forked-petaled Flower de Luce, Iris dichotoma. The intricate detailing of the image, produced by A. Bailey after Edwin Dalton Smith, is a testament to the meticulous craftsmanship of botanical illustration during the mid-19th century. The Forked-petaled Flower de Luce, also known as Blue Flag Iris, is a captivating perennial herb native to Europe, Asia, and North Africa. Its distinctive, elegant flowers boast a unique forked structure, with each petal appearing as if it has been delicately split in two. The petals are typically a vibrant blue hue, with yellow throats and white veins, creating a stunning contrast that adds to the flower's allure. This botanical illustration was originally published in John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery in 1854. Lindley, a renowned botanist, and Sweet, a horticulturist, collaborated to create a comprehensive guide for gardeners and plant enthusiasts, featuring over 1,000 illustrations of various ornamental plants. The publication of this work marked a significant contribution to the advancement of botanical knowledge during the Victorian era. The Forked-petaled Flower de Luce was a popular addition to Victorian gardens, and this engraving would have been a cherished possession for those who sought to cultivate this beautiful plant in their own green spaces. The intricate detailing and vibrant colors of the engraving serve as a reminder of the appreciation for the natural world that characterized the Victorian era and continues to inspire us today.
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