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Metal Print : Captioned Marquess of Queensbury, John Sholto Douglas
Metal Prints from Mary Evans Picture Library
Captioned Marquess of Queensbury, John Sholto Douglas
Vintage 19th century photograph: captioned on the back as Marquess of Queensbury. John Sholto Douglas, 9th Marquess of Queensberry (20 July 1844 - 31 January 1900), was a Scottish nobleman, remembered for his atheism, his outspoken views, his brutish manner, for lending his name to the " Queensberry Rules" that form the basis of modern boxing, and for his role in the downfall of the Irish author and playwright Oscar Wilde. Carte de visite portrait c.1860, making the sitter around 16, which would appear correct
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Media ID 23435018
Atheism Basis Boxing Captioned Carte Carte De Visite Celebrity Correct Downfall Form Lending Marquess Nobleman Oscar Outspoken Playwright Queensberry Queensbury Remembered Role Rules Sitter Visite Wilde Brutish Douglas January
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Prints from Media Storehouse, featuring this vintage 19th century photograph of John Sholto Douglas, 9th Marquess of Queensberry. Captured by an unknown photographer, this striking image showcases the nobleman's distinguished character and elegant attire. Each Metal Print is meticulously crafted, transforming your chosen image into a vibrant, long-lasting work of art that adds depth and dimension to any space. Bring a touch of history into your home with this captivating Marquess of Queensberry Metal Print from Mary Evans Prints Online.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
1. Title: "The Young Marquess of Queensberry: A Scottish Nobleman and Pioneer of Modern Boxing" This carte de visite portrait depicts John Sholto Douglas, the 9th Marquess of Queensberry, at around 16 years old, circa 1860. Born on 20 July 1844 in Scotland, Douglas was a renowned figure in 19th-century British society, best known for his atheism, outspoken views, and brutal manner. He is also remembered for lending his name to the "Queensberry Rules," which form the basis of modern boxing. The Marquess of Queensberry's residence was a grand urban building, often depicted in landscapes and cityscapes of the time. The image showcases the young nobleman standing confidently against a backdrop of a traditional Scottish street or road, with a sense of pride and authority. Despite his aristocratic background, Douglas was an atheist, a view that was not widely accepted in the conservative society of the time. He was also known for his outspoken nature and brutish manner, which earned him a reputation as a challenging figure. In addition to his controversial beliefs and personality, Douglas played a significant role in the downfall of the Irish author and playwright Oscar Wilde. The Marquess accused Wilde of being the father of his son, leading to a series of events that ultimately led to Wilde's trial and imprisonment. This vintage portrait is a fascinating glimpse into the life of a complex and influential figure in 19th-century British history. The image captures the young Marquess of Queensberry at a pivotal moment in his life, before he became embroiled in the scandal that would make him infamous. The portrait also serves as a reminder of the rich heritage and cultural traditions of the time, with its focus on architecture, urban landscapes, and the portraiture tradition.
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