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Metal Print : Blue nasturtium or Indian cress, Tropaeolum azureum
Metal Prints From Mary Evans Picture Library
Blue nasturtium or Indian cress, Tropaeolum azureum
Blue nasturtium or Indian cress, Tropaeolum azureum. Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweets Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23206996
© Florilegius/Mary Evans
Barclay Chile Cress Drake Lindley Nasturtium Ornamental Sarah Shrubbery Sweet Tropaeolum Miss
16"x24" (61x41cm) Metal Print
Breathe new life into your home decor with our exquisite Media Storehouse Metal Prints featuring the enchanting Blue Nasturtium or Indian Cress, Tropaeolum azureum. This captivating hand-colored copperplate engraving, taken from John Lindley and Robert Sweet's Ornamental Flower Garden, showcases the vibrant beauty of this rare and exotic flower. Each print is meticulously transferred onto high-quality aluminum sheets using a sublimation process, ensuring a stunning and long-lasting finish. The rich colors and intricate details of the engraving are brought to life, making it a truly unique and eye-catching addition to any room. Elevate your space with the timeless charm of nature, captured in this stunning Blue Nasturtium Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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This exquisite hand-colored copperplate engraving showcases the enchanting beauty of the Blue Nasturtium or Indian Cress, Tropaeolum azureum. The intricate details of the delicate flowers are masterfully captured in this botanical illustration, created by the skilled hand of G. Barclay, based on an original observation by Miss Sarah Drake. This illustration was published in John Lindley and Robert Sweet's renowned horticultural publication, "Ornamental Flower Garden and Shrubbery," in 1854 by G. Willis in London. The Blue Nasturtium, native to Chile, is a rare and captivating plant, with its unique blue-violet blooms contrasting strikingly against the bright green foliage. The plant is a trailing herb, producing tuberous roots and boasting vibrant, lobed leaves. The flowers, which emerge in clusters, are not only visually stunning but also edible, adding a delightful pop of color and flavor to salads and garnishes. Botanical illustrations, such as this one, played a crucial role in the scientific exploration and documentation of new plant species during the Victorian era. They provided a precise and accurate record of the plant's appearance, allowing for effective communication between botanists and horticulturists across the globe. This stunning illustration of the Blue Nasturtium not only showcases the plant's beauty but also serves as a testament to the remarkable advancements in botanical art during the 19th century.
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