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Metal Print : The avenue du Bois de Boulogne, Paris, 1856
Metal Prints from Mary Evans Picture Library
The avenue du Bois de Boulogne, Paris, 1856
Woman in bonnet, jacket and wide crinoline with dog watching horse riders and carriages on the riding track. The avenue du Bois de Boulogne, Paris, 1856. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzannes Fashion in Paris, William Heinemann, London, 1898
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Media ID 23392564
© Florilegius
1856 1857 Astronomy Avenue Balcony Binoculars Bois Boulevard Boulogne Comet Courboin Crinoline Esthetics Fear Francois Napoleon Octave Panic Uzanne Watching Fashionable
16"x24" (61x41cm) Metal Print
Bring the timeless charm of 19th-century Paris into your home with our exquisite Media Storehouse Metal Prints. This captivating image, 'The avenue du Bois de Boulogne, Paris, 1856' by Mary Evans Picture Library from Mary Evans Prints Online, showcases a woman in elegant Victorian attire, engrossed in the scenic beauty of the riding track. The tranquil scene is further enhanced by the presence of horse riders and carriages, and a loyal dog by her side. Our high-quality Metal Prints not only preserve the intricate details and vibrant colors of this handcoloured lithograph by R.V, but also provide a modern, sleek, and durable finish that adds a touch of sophistication to any space. Experience the allure of Parisian history in your very own home with our stunning Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This handcoloured lithograph, created by R.V. after an illustration by Francois Courboin from Octave Uzanne's Fashion in Paris, published in 1898, offers a glimpse into the elegant and fashionable world of Parisian society during the mid-19th century. The image, titled "avenue du Bois de Boulogne, Paris, 1856," depicts a woman in a stylish bonnet, jacket, and wide crinoline, intently watching horse riders and carriages on the riding track. The Avenue du Bois de Boulogne, located in the western part of Paris, was a popular destination for the city's elite. The area was known for its beautiful landscapes, grand mansions, and horse racing track, which attracted fashionable crowds seeking leisure and entertainment. The woman in the image appears to be observing the scene below through a pair of binoculars, adding an air of excitement and anticipation to her appearance. Her attire, with its voluminous crinoline and fashionable jacket, reflects the latest trends of the time. The background of the image reveals a bustling scene of horse-drawn carriages, riders, and onlookers, all gathered to enjoy the day at the riding track. The presence of a dog at the woman's side adds a touch of whimsy and domesticity to the scene. Interestingly, the year 1856 is significant as it was the year that the comet Halley made its closest approach to Earth, causing widespread panic and fear. However, this image does not reflect any signs of this astronomical event, instead focusing on the aesthetics and culture of French society during the Napoleonic III Empire.
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