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Metal Print : An audience rioting in the stalls in a Dublin theatre, 1821

An audience rioting in the stalls in a Dublin theatre, 1821



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An audience rioting in the stalls in a Dublin theatre, 1821

An audience rioting in the stalls in a Dublin theatre, 1821. Our Hero and his friends having a small taste of a Row at the Theatre. Handcoloured engraving from Pierce Egans Real Life in Ireland, or the Day and Night Scenes, Rovings, Rambles, and Sprees, Bulls, Blunders, Bodderation and Blarney, of Brian Boru Esq. and his Elegant Friend Sir Shawn O Dogherty, published by William Evans, London, 1829

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23388704

© Florilegius

1821 Audience Blarney Blunders Bodderation Boru Brian Bulls Canal Comedy Dublin Egan Gentleman Georgian Odogherty Paddy Pierce Rambles Real Regency Rioting Rovings Rowboat Satire Shawn Sprees Stalls Winner


16"x24" (61x41cm) Metal Print

Experience the thrilling history of 19th-century Ireland with our captivating Metal Print from Media Storehouse and Mary Evans Picture Library. This extraordinary image, titled "An audience rioting in the stalls in a Dublin theatre, 1821," offers a glimpse into a dramatic moment in time. Witness the excitement and tension as our hero and his companions find themselves in the midst of a heated row at the theatre. The high-quality Metal Print brings the intricate details and rich colors of this historical photograph to life, making it a stunning addition to any home or office decor. Relive the past and ignite your imagination with this unique and captivating piece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > New Images August 2021

> Animals > Farm > Cattle > Related Images

> Arts > Artists > D > William Day

> Arts > Artists > I > William Ireland

> Arts > Artists > S > William Small

> Arts > Realistic drawings > Still life artwork > Fine art

> Asia > Georgia > Related Images

> Europe > Republic of Ireland > Dublin

> Europe > United Kingdom > England > London > Art > Comedy

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > England > London > Events > The Boat Race


EDITORS COMMENTS
An Unforgettable Evening at the Dublin Theatre: A Riot in the Stalls, 1821 This intriguing handcoloured engraving, titled 'An audience rioting in the stalls in a Dublin theatre, 1821,' offers a glimpse into the lively and unpredictable world of Regency-era Ireland. The image, taken from Pierce Egan's 'Real Life in Ireland, or the Day and Night Scenes, Rovings, Rambles, and Sprees, Bulls, Blunders, Bodderation and Blarney,' published in London in 1829, captures the moment when an ordinary theatre visit turns into an unruly and chaotic scene. At the heart of the commotion, we see our hero, Brian Boru Esq., and his friend Sir Shawn O'Dogherty, both dressed in the fashionable attire of the time, engaged in a heated argument. The cause of their disagreement is unclear, but it has escalated into a full-blown brawl, with other gentlemen in the stalls joining in. The scene outside the theatre is equally chaotic. A cow, apparently loose in the streets, adds to the confusion, while a rowboat and a canal provide a backdrop to the traditional Irish race or game that seems to have sparked the initial altercation. The caricatured figures of Brian Boru and Sir Shawn, with their exaggerated features and distinctive limps, add a touch of comedy to the otherwise chaotic image. This engraving is a fascinating snapshot of Irish life during the Regency and Georgian eras, showcasing the traditions, sports, and games that were an integral part of the Irish social scene. It also highlights the unpredictability and sense of adventure that characterized life in Ireland during this period, making it a valuable historical document and an intriguing work of art.

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