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Metal Print : Daylight Raid from my Studio Window, July

Daylight Raid from my Studio Window, July



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Daylight Raid from my Studio Window, July

" Daylight Raid from my Studio Window, 7 July 1917. Lavery, Sir John 1856-1941. From 1929 catalogue card:If the screen across the lower part of the window be examined it will be seen that Lady Lavery is faking a religious effigy. The dark pigment has obscured this, but the impasto of the under-painting is quite definitive."

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 13100133

© National Museums NI / MARY EVANS

Daylight Definitive Effigy Examined Faking Lavery Lower Obscured Raid Screen Impasto Pigment


16"x24" (61x41cm) Metal Print

Bring the captivating art of Sir John Lavery's "Daylight Raid from my Studio Window, 7 July 1917" into your home with our Media Storehouse Metal Prints. This iconic image, sourced from Mary Evans Prints Online, showcases Lavery's mastery of light and shadow as he captures the essence of a daylight raid during World War I from the comfort of his studio. Our high-quality Metal Prints are not just a canvas for your favorite art, they are a statement piece, adding depth and texture to your space. With vibrant colors and exceptional detail, each print is meticulously printed on a durable aluminum sheet and coated with a protective layer to ensure long-lasting beauty. Experience the art of Sir John Lavery like never before with Media Storehouse Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > National Museums Northern Ireland

> Arts > Fine Art


Daylight Raid from my Studio Window, 7 July 1917

EDITORS COMMENTS
is a captivating painting by the renowned Irish artist, Sir John Lavery. This masterpiece, created in 1917, offers a unique insight into the artist's world, merging the personal and the political. The painting depicts Lady Lavery, the artist's wife, standing at her studio window during a daylight air raid in London. The ominous clouds of war are juxtaposed with the tranquil scene inside the studio, creating a striking contrast. Upon closer inspection, the lower part of the window reveals an intriguing detail. Lady Lavery is seen faking a religious effigy, an act that adds an unexpected layer of complexity to the painting. The dark pigment used in the painting has somewhat obscured this detail, but the impasto of the under-painting is definitively visible. This discovery, mentioned in a 1929 catalog card, adds an intriguing element to the painting, hinting at the artist's playful and inventive nature. The title "Daylight Raid from my Studio Window" suggests the disruption of daily life caused by the war, while the inclusion of Lady Lavery's deception adds a note of levity and resilience. The painting is a testament to the power of art to capture the human experience, even in the midst of chaos and adversity. Sir John Lavery's "Daylight Raid from my Studio Window, 7 July 1917" is a captivating work of art that invites viewers to explore its many layers and hidden details. The painting's historical significance, combined with its personal and artistic depth, makes it a must-see for anyone interested in the history of art and the human spirit.

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