Metal Print : One of the main gates of Nanking, China
Metal Prints from Mary Evans Picture Library
One of the main gates of Nanking, China
One of the main gates of Nanking, China, at the time that the city was captured by revolutionaries. The Qing Dynasty was overthrown in October 1911, the last imperial dynasty of China, and Sun Yat Sen became President of the newly formed Republic of China (ROC), founded in 1912
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Media ID 4421623
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10410753
Captured Dynasty Gates Main Nanking Nation Orient Overthrown Qing Revolutionaries
20"x24" (61x51cm) Metal Print
Experience the rich history of China with our exquisite Metal Prints from Media Storehouse. This captivating image showcases one of the main gates of Nanking, China, a symbol of a pivotal moment in Chinese history. Taken from the extensive Mary Evans Prints Online archive, this rights-managed photograph brings the grandeur and intricacy of the gate to life in stunning detail. Our Metal Prints are not just decorative pieces, they are a conversation starter and a reminder of the world's intriguing past. Order yours today and bring a piece of history into your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 60.9cm x 50.8cm (24" x 20")
Estimated Product Size is 61.5cm x 51.4cm (24.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
One of the Main Gates of Nanking, China: Witnessing the Dawn of the Republic of China in 1912 In this evocative photograph, the main gate of Nanking, China, stands as a testament to the momentous events that unfolded in October 1911. The image captures the city at the precise moment it was seized by revolutionaries, marking the end of the Qing Dynasty, the last imperial regime in Chinese history. The Qing Dynasty, which had ruled China since 1644, was a period of rich cultural and artistic achievements. However, it was also a time of political instability and foreign encroachment. The growing discontent among the populace, coupled with the influence of Western ideas and the failure to modernize effectively, led to the 1911 Revolution. Sun Yat Sen, the father of modern China and the founding father of the Republic of China (ROC), led the revolution. In the aftermath of the successful uprising, Sun Yat Sen was appointed as the first President of the ROC in 1912. The city of Nanking, located in the eastern part of China, became the temporary capital of the new republic. This photograph, taken at the time of the city's capture, offers a glimpse into the historical significance of this pivotal moment. The Oriental, or Eastern, gates of Nanking, with their intricate carvings and traditional Chinese architecture, stand in stark contrast to the modern, Western-style buildings in the background. This juxtaposition symbolizes the blending of the old and the new, the traditional and the modern, as China embarked on its journey towards a new political identity. This image is an essential piece of Chinese and world history, offering a unique perspective on the end of an imperial era and the beginning of a new nation. It is a poignant reminder of the transformative power of political upheaval and the resilience of the human spirit.
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