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Metal Print : Louis Xii-Mary of France

Louis Xii-Mary of France



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Louis Xii-Mary of France

MARY DUCHESS SUFFOLK Duchess of Suffolk daughter of HENRY VII, wife of Charles Brandon, Duke of Suffolk, previously wife of Louis XII of France

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 4326517

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10026755

1496 1533 Brandon Duchess Engaged Married Suffolk Tudor Elizabeth


16"x20" (51x41cm) Metal Print

Bring historical elegance into your home with our exquisite Metal Prints featuring Louis XII and Mary Tudor, Duchess of Suffolk. This captivating image, sourced from Mary Evans Prints Online, showcases the royal couple's regal presence. Our high-quality Metal Prints are not just beautiful works of art, but also durable and long-lasting. The vibrant colors and stunning details are sure to impress, making this a perfect addition to any room in your house. Relive history with our premium Metal Prints, a unique and sophisticated way to display your favorite art pieces.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This image captures the moment when Mary Tudor, Duchess of Suffolk, formerly Mary of France, was engaged to Charles Brandon, Duke of Suffolk, in 1533. Mary, the eldest daughter of King Henry VII of England and his first wife, Elizabeth of York, had previously been married to King Louis XII of France in 1514, but the union was childless and short-lived. After Louis' death, Mary returned to England and became a lady-in-waiting to Queen Katherine of Aragon. In this portrait, Mary is depicted in rich attire, her dark hair styled in elaborate curls, and a knowing smile playing on her lips. She wears a jeweled necklace and a pearl-encrusted headdress, symbols of her royal heritage and status. Her engagement to Charles Brandon, a favorite of King Henry VIII, was a significant political move, as it strengthened the ties between the Tudor and Suffolk families. Charles Brandon, a seasoned soldier and courtier, was 27 years older than Mary, but their marriage was a happy one, and they had three children together. The couple's union was also notable for its defiance of royal disapproval, as Henry VIII initially disapproved of the match. However, the king eventually relented, and the couple went on to live a contented life together, with Mary continuing to serve as a trusted advisor to her stepdaughter, Queen Anne Boleyn. This evocative portrait offers a glimpse into the complex and fascinating world of Tudor court life, where political alliances, personal desires, and royal intrigue intertwined in intricate ways. The image is a testament to Mary's resilience and adaptability, as well as her enduring influence on the Tudor dynasty.

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