Metal Print : Long-tailed titmouse, Parus caudatus, Long-tailed
Metal Prints From Mary Evans Picture Library
Long-tailed titmouse, Parus caudatus, Long-tailed
Long-tailed titmouse, Parus caudatus, Long-tailed tit, Aegithalos caudatus.. Handcolored copperplate drawn and engraved by George Graves from his own British Ornithology, Walworth, 1821. Graves was a bookseller, publisher, artist, engraver and colorist and worked on botanical and ornithological books
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14211413
© Florilegius / Mary Evans
1811 Caudatus Graves Howitt Ornithology Parus Samuel Tailed Titmouse Aegithalos
16"x24" (61x41cm) Metal Print
Bring the enchanting world of ornithology into your home with our exquisite Media Storehouse Metal Prints. Featuring this charming Long-tailed Titmouse, captured in intricate detail by George Graves in 1821, our Metal Prints transform your favorite images into stunning works of art. Each print is meticulously printed onto high-quality metal sheets using a unique process that ensures vibrant colors and exceptional clarity. The durable, waterproof finish is perfect for displaying in any room, while the sleek metallic surface adds a modern and sophisticated touch. Experience the beauty of nature like never before with our Long-tailed Titmouse Metal Print, exclusively from Media Storehouse and Mary Evans Prints Online.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This exquisitely hand-colored print depicts the Long-tailed Titmouse, Parus caudatus, also known as the Long-tailed Tit or Aegithalos caudatus. The intricately detailed illustration was drawn and engraved by the renowned British artist, George Graves, in 1821. Graves was a versatile figure in the scientific community, excelling not only as an artist and engraver but also as a bookseller and publisher. He is best known for his work on botanical and ornithological books. The Long-tailed Titmouse is a small, active bird native to Europe and Asia. With its distinctive long, bushy tail and bright yellow eyes, this bird is a delight to observe in its natural habitat. The Long-tailed Titmouse is a social species, forming large family groups that work together to build intricate, spherical nests using moss, lichens, and spider webs. This particular print is taken from Graves' "British Ornithology," published in Walworth in 1821. The work was a collaborative effort between Graves and the renowned ornithologist, William Samuel Howitt. Howitt provided the scientific expertise, while Graves brought his artistic talents to the project, resulting in a stunning collection of avian illustrations. The print's intricate detail and vibrant colors were achieved through the traditional copperplate engraving and hand-coloring techniques of the time. The resulting image is a testament to the skill and dedication of both Graves and Howitt, as well as the rich history of ornithological illustration in the early 19th century.
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