Metal Print : Hugh Peters (Satire)
Metal Prints From Mary Evans Picture Library
Hugh Peters (Satire)
HUGH PETERS chaplain to Oliver Cromwell, satirised as a preacher of blasphemy, rebellion and heresy Date: 1598 - 1660
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14281190
© Mary Evans Picture Library
1598 1660 Chaplain Cromwell Heresy Hugh Oliver Peters Preacher Rebellion Satire Satirised Blasphemy
16"x24" (61x41cm) Metal Print
Bring a touch of historical satire into your home or office with our Media Storehouse Metal Prints featuring the iconic image of Hugh Peters, the infamous 17th-century English chaplain. Known for his fiery sermons and controversial views, Peters was satirized as a preacher of blasphemy, rebellion, and heresy in this intriguing print from Mary Evans Prints Online. Our high-quality Metal Prints are not just art pieces, they are a conversation starter and a unique way to add depth and character to any space. Each print is meticulously printed on a lightweight aluminum sheet using a dye sublimation process, ensuring vibrant colors and long-lasting durability. Order yours today and bring a piece of history into your world!
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This satirical print depicts the infamous figure of Hugh Peters, a chaplain in the service of Oliver Cromwell during the English Civil War. Known for his fiery sermons and radical views, Peters was a divisive figure who advocated for blasphemy, rebellion, and heresy against the established religious order. The image captures Peters in the act of preaching to a crowd, with a bible open before him and a fiery expression on his face. However, instead of delivering a divine message, he is shown urinating on the ground, symbolizing the profane nature of his words. The crowd reacts with shock and disbelief, some covering their noses in disgust, while others appear to be in agreement with Peters' rebellious message. The satirical tone of the print is reinforced by the exaggerated features of Peters' face and body, as well as the caricatured depiction of the crowd. The use of crude humor and visual exaggeration was a common technique used in political and social satire of the time, intended to provoke a strong reaction from viewers and challenge the status quo. Despite the satirical intent of the print, Hugh Peters was a real historical figure who played a significant role in the religious and political upheaval of 17th century England. His radical preaching and advocacy for religious and political change made him a controversial figure, and he was eventually executed for his role in the regicide of King Charles I in 1660. This satirical print serves as a reminder of the complex and often contentious nature of religious and political discourse during this period, and the power of satire to challenge and provoke.
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