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Metal Print : Gypsy Camp near Latimer road, London
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Gypsy Camp near Latimer road, London
Sketches of gypsy life: an encampment near Latimer road, Notting Hill. Mr. George Smith, social reformer of Coalville, Leicester, can been seen conversing with a gypsy family in the fore ground.
1879
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Media ID 7185941
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10527495
1879 Chickens Conditions Gipsies Gipsy Gypsies Gypsy Latimer Laundry Living Notting Poor Poverty Reformer Slum Squalor Traveller Wagon Wash Washin G Smith
16"x20" (51x41cm) Metal Print
Step into the past with our captivating Metal Print of a Gypsy Camp near Latimer Road, London, as depicted in an 1879 illustration from Illustrated London News Ltd/Mary Evans Prints Online. This intriguing image offers a rare glimpse into gypsy life during the Victorian era, featuring a heartfelt conversation between a social reformer and a gypsy family. Our high-quality Metal Print brings the details of this historic sketch to life, adding an authentic, vintage feel to any space. Experience the rich history and charm of this iconic illustration with our premium Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This evocative photograph, taken in 1879, captures a moment of interaction between the world of the Gypsy community and a social reformer in an encampment near Latimer Road, Notting Hill, London. The image, titled 'Sketches of gypsy life: an encampment near Latimer road, Notting Hill', offers a glimpse into the living conditions of the Gypsy community during the Victorian era in Britain. At the foreground of the photograph, a Gypsy woman, dressed in traditional attire, washes clothes in a tub, while her children play nearby. A Gypsy man, possibly the father, tends to their wagon, with a cat perched on a nearby barrel. In the background, Mr. George Smith, a social reformer from Coalville, Leicester, engages in conversation with the family. The scene presents a stark contrast of poverty and squalor, with makeshift shelters and wagons forming the backdrop. The Gypsy children, dressed in ragged clothes, play amongst the chickens and washing lines, while their parents work to provide for their family. The image underscores the challenging living conditions faced by the Gypsy community during this period. Despite the apparent hardships, there is a sense of community and resilience in the Gypsy encampment. The Gypsies, often stigmatized and marginalized, are shown as human beings, with their own unique culture and way of life. Mr. Smith's presence suggests an effort to bring attention to their plight and advocate for reform. This photograph, taken in the late 1870s, offers a poignant snapshot of a bygone era, providing valuable insights into the lives of the Gypsy community during this period in British history. The image is a testament to the enduring spirit of the human condition, despite the challenges and hardships faced by the community.
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