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Metal Print : Going into the Garden to Eat Worms
Metal Prints From Mary Evans Picture Library
Going into the Garden to Eat Worms
An expression of utmost displeasure and disappointment - a little chick completely fed up states: " Nobody loves me - I m going into the garden to eat worms." Date: 1918
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7223089
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10429205
Annoyed Chick Depressed Depression Disappointed Disappointment Displeasure Downcast Gloom Misery Sadness Upset Worms
16"x24" (61x41cm) Metal Print
Introducing the Media Storehouse Metal Prints collection, featuring this poignant and timeless image from Mary Evans Prints Online. Titled "Going into the Garden to Eat Worms," this expressive little chick, dated 1918, perfectly captures the feeling of disappointment and displeasure. Bring this evocative piece to life with a stunning Metal Print, which showcases vibrant colors and exceptional detail. Each Metal Print is crafted using premium materials and state-of-the-art printing techniques, ensuring a beautiful and long-lasting addition to your home or office decor. Order yours today and let the story of this resilient chick inspire you every day. #MediaStorehouse #MetalPrints #MaryEvansPrints #GoingIntoTheGardenToEatWorms
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 38.5cm x 61.5cm (15.2" x 24.2")
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
Going into the Garden to Eat Worms
EDITORS COMMENTS
is a poignant and evocative image capturing the depths of sadness and disappointment experienced by a young, little chick. The photograph, taken in 1918, depicts the chick in a state of utter desolation, with its beady eyes expressing a profound sense of misery and annoyance. The white feathers on its body are ruffled, adding to the sense of agitation and upset. The chick's posture and demeanor convey a deep sense of depression and despair. Its expression of "Nobody loves me - I'm going into the garden to eat worms" speaks to a feeling of rejection and isolation that is all too common, even in the animal kingdom. The garden, once a place of beauty and joy, now serves as a refuge for the chick's despair. The act of eating worms may be seen as a symbol of the chick's resignation to its current state of misery. It is a small, seemingly insignificant act, but one that speaks to a deeper sense of hopelessness and frustration. The image is a powerful reminder of the complex emotions that animals, and indeed all living beings, experience. Despite the sadness and disappointment evident in the photograph, there is also a sense of resilience and determination in the chick's posture. It is a reminder that even in the darkest of moments, there is always the possibility for hope and renewal. The photograph is a poignant and beautiful exploration of the human (and animal) condition, and a testament to the power of emotion and expression.
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