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Metal Print : George Stubbs (1724-1806). Whistlejacket (c. 1762)
Metal Prints From Mary Evans Picture Library
George Stubbs (1724-1806). Whistlejacket (c. 1762)
George Stubbs (1724-1806). English painter. Whistlejacket (c. 1762). Oil on Canvas. National Gallery. London. England. UK
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14323070
© Thaliastock / Mary Evans
1762 Arabian Echinus Gallery Marquess Racehorse Rearing Rockingham Stubbs Thoroughbred
16"x20" (51x41cm) Metal Print
Experience the captivating allure of equestrian art with our Media Storehouse Metal Prints featuring George Stubbs' iconic masterpiece, Whistlejacket. This exquisite oil painting, originally created in 1762, showcases the English painter's exceptional talent and his deep understanding of the horse's anatomy. The powerful and majestic Thoroughbred, Whistlejacket, is captured in stunning detail, with every muscle and vein rendered with meticulous precision. Our high-quality Metal Prints bring the rich colors and textures of this National Gallery masterpiece to your home or office, making it a true work of art that will surely leave a lasting impression. Rights Managed from Mary Evans Prints Online.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
George Stubbs' masterpiece, Whistlejacket (c. 1762), showcases the English painter's exceptional skill in capturing the power and grace of a rearing Arabian horse. This oil on canvas painting, housed in the National Gallery in London, England, is a testament to Stubbs' ability to bring the animal's muscular form and expressive spirit to life. The horse, believed to be a thoroughbred named Whistlejacket, was owned by the Marquess of Rockingham. The painting's title is thought to derive from the horse's distinctive white markings, which resemble the shape of a sea urchin or echinus, known as a "whistlejacket" in the 18th century. The painting's composition is striking, with the horse's powerful hind legs poised to launch into a gallop, while its head is turned towards the viewer, revealing a keen intelligence and alertness. The horse's mane and tail are rendered with intricate detail, creating a sense of movement and energy. Whistlejacket is a prime example of Stubbs' innovative approach to animal painting, which gained him widespread acclaim during the 18th century. His meticulous attention to anatomy and form, combined with his ability to capture the unique character of each animal, set him apart from his contemporaries. Today, Whistlejacket remains a beloved work of art, not only for its stunning representation of a magnificent horse, but also for its historical significance as a symbol of British art and culture during the Age of Enlightenment.
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