Metal Print : Countess Suffolk
Metal Prints From Mary Evans Picture Library
Countess Suffolk
The sufferings of CATHERINE countess of SUFFOLK, second wife of Thomas Howard, the first earl... Date: 1566? - 1633
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14105226
© Mary Evans Picture Library
1566 1633 Catherine Countess Howard Sufferings Suffolk
16"x24" (61x41cm) Metal Print
Bring historical artistry into your home with Media Storehouse's Metal Prints featuring "The Sufferings of Catherine, Countess of Suffolk" by Rights Managed from Mary Evans Prints Online. This captivating image, dating back to approximately 1566-1633, showcases the second wife of Thomas Howard, the first earl of Suffolk, in an era of opulence and intrigue. The Metal Print's vibrant colors and stunning detail are sure to add a touch of timeless elegance to any space. Each print is meticulously crafted using high-quality materials and state-of-the-art printing techniques, ensuring a beautiful and long-lasting addition to your decor. Immerse yourself in the rich history of the past with this exquisite work of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This hauntingly beautiful portrait captures the countess of Suffolk, Catherine Howard, in a moment of profound introspection. Dated around 1566-1633, this image offers a glimpse into the complex and tragic life of the second wife of Thomas Howard, the first earl of Suffolk. Born into the prestigious Howard family, Catherine was the younger sister of Catherine Parr, the sixth wife of King Henry VIII. Her marriage to Thomas Howard, a powerful and influential nobleman, seemed like a promising union. However, their relationship was far from idyllic. Catherine was known for her beauty, charm, and vivacious personality, but she was also prone to impulsiveness and infidelity. The countess's suffering began when rumors of her past indiscretions reached the ears of Thomas's enemies at court. Despite her denials, Catherine was arrested and charged with adultery, a crime punishable by death. She was brought to the Tower of London and subjected to a harrowing trial. Despite her youth and beauty, Catherine was found guilty and sentenced to be beheaded. This poignant portrait may have been painted after Catherine's downfall, as a reminder of the fleeting nature of beauty and the harsh realities of life in the Tudor court. The countess's expressive eyes and the delicate folds of her clothing suggest a deep sense of sorrow and resignation. Her hands, clutched in prayer, speak of her inner turmoil and her desperate pleas for mercy. This haunting image of Catherine Howard, the countess of Suffolk, serves as a poignant reminder of the human capacity for both beauty and suffering. It invites us to reflect on the complexities of the Tudor court and the tragic fate of a woman whose life was cut short by the merciless whims of power and politics.
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