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Metal Print : Countess Hoey Stoker and son
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Countess Hoey Stoker and son
The Countess Hoey Stoker, daughter of Count Oei Tiong Han, Chinese businessman and married to an officer in the British Army. Pictured with her son in The Tatler, she is described as having, a fondness for aviation and was among the first ladies to indulge in civilian flying when it was permitted at Cricklewood last year. Date: 1920
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Media ID 14171626
© Illustrated London News Ltd/Mary Evans
Count Countess Hoey Sailor Stoker
16"x20" (51x41cm) Metal Print
Bring history to life with our exquisite Media Storehouse Metal Prints featuring the captivating image of Countess Hoey Stoker and her son. This stunning photograph, sourced from Mary Evans Prints Online, showcases the elegant Countess, daughter of Count Oei Tiong Han, a Chinese businessman, and her child with an officer in the British Army. Our premium metal prints are not just beautiful home decor; they're a conversation starter and a testament to the rich tapestry of history. Each print is meticulously crafted using high-definition images, ensuring vibrant colors and exceptional detail. The sleek, modern metal surface not only enhances the visual appeal but also offers a durable, long-lasting finish. Elevate your space with this unique and intriguing piece of art that tells a story of a fascinating chapter in history.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This striking portrait captures Countess Hoey Stoker and her young son, a charming mother-and-son duo of the Roaring Twenties. The Countess, whose given name was Mary Oei Tiong Han, was the daughter of the prominent Chinese businessman, Count Oei Tiong Han, and had married an officer in the British Army. The image was published in the prestigious society magazine, The Tatler, in 1920. The Countess is elegantly dressed in a high-necked blouse and a long, flowing skirt, accessorized with a string of pearls and a delicate hat adorned with a feather. Her son, dressed in a crisp sailor suit, gazes up at his mother with an expression of admiration and affection. The caption accompanying the photograph reveals an intriguing detail about the Countess's interests: she had a fondness for aviation and was among the first ladies to indulge in civilian flying when it was permitted at Cricklewood the previous year. This pioneering spirit, combined with her Chinese heritage and British upbringing, made her a fascinating figure in the society of the time. The photograph, with its timeless elegance and intriguing backstory, offers a glimpse into the rich history of cross-cultural connections and societal norms during the early 20th century. It serves as a reminder of the complex and dynamic nature of society in this era, where tradition and innovation coexisted in intriguing ways.
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