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Metal Print : Colonial Africa (1883). Gulf of Guinea. Fernando
Metal Prints from Mary Evans Picture Library
Colonial Africa (1883). Gulf of Guinea. Fernando
Colonial Africa (1883). Gulf of Guinea. Fernando Poo Island. View of Lobᠤ e Rilaja, Bottey-Moytade residence, second king of the island. Image appeared in La Ilustraci spa y Americana newspaper. Engraving
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14183872
© J. Bedmar/Iberfoto/Mary Evans
1883 Africans Americana Appeared Cabin Engravings Espa X6fb21 Espanola Fernando Guinea Gulf Ilustraci Ilustracion Jungle Newspaper Spaniard Spaniards Upright
16"x20" (51x41cm) Metal Print
Step back in time with our captivating Metal Print from the Media Storehouse collection. This vintage image, titled "Colonial Africa (1883). Gulf of Guinea. Fernando Poo Island. View of Lob Rilaja, Bottey-Moytade residence, second king of the island," transports you to a bygone era. Featuring an intriguing view of the Bottey-Moytade residence in Fernando Poo Island, this image is sourced from Mary Evans Prints Online and is rights managed. The high-quality Metal Print brings out the rich details and textures of this historical photograph, making it a stunning addition to any room. Order now and let this piece of history come alive in your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This image, published in the prestigious Spanish newspaper La Ilustración Española y Americana in 1883, offers a glimpse into the colonial landscape of Fernando Poo Island in the Gulf of Guinea. The photograph, an intricately detailed engraving, depicts the residence of Lob Rilaja, the second king of the island, located in the heart of the lush jungle. The Spaniard Bottey-Moytade, a prominent figure in the colonial administration, is believed to have built the grand cabin-like structure, which stands proudly amidst the verdant foliage. The serene scene contrasts starkly with the tumultuous history of colonial Africa. The Gulf of Guinea, a strategic maritime route, was a hotbed of European competition and conflict in the late 19th century. Spain, Portugal, France, and Britain vied for control over the rich natural resources and lucrative trade routes, leading to the subjugation of numerous African kingdoms and the establishment of colonial rule. The image reveals the complex interplay between the European colonizers and the indigenous population. The African people, dressed in colorful attire, are shown working in the background, while the Spaniard's residence, with its modern amenities, stands as a symbol of power and dominance. The juxtaposition of the jungle and the cabin, the African people and the European colonizer, underscores the profound impact of colonialism on the African continent. This engraving, a testament to the rich history of colonial Africa, invites us to reflect on the complex and often fraught relationship between the European powers and the African peoples during this period. The image, with its intricate details and evocative imagery, continues to captivate and intrigue scholars, historians, and enthusiasts of African history.
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