Metal Print : CAREW (1598? - 1639?)
Metal Prints from Mary Evans Picture Library
CAREW (1598? - 1639?)
THOMAS CAREW writer Date: 1598? - 1639?
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7111593
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10011621
Anthony Antony Carew Dijk Dyke
16"x20" (51x41cm) Metal Print
Bring history to life with our exquisite Metal Prints from Media Storehouse. Featuring the captivating image of Thomas Carew (1598? - 1639?), a renowned English poet and courtier, this Metal Print is a timeless addition to any decor. Sourced from Mary Evans Prints Online, this Rights Managed image showcases the intricate details and vibrant colors that bring the past to the present. Each Metal Print is meticulously crafted, resulting in a stunning, durable piece that is sure to be a conversation starter in your home or office. Elevate your space with a touch of history and artistry - order your Thomas Carew Metal Print today.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative portrait captures the enigmatic figure of Thomas Carew (circa 1598-1639), an English poet and courtier of the Stuart era. The image, believed to be a depiction of Carew in his later years, showcases his thoughtful and introspective demeanor, with a serious expression and a quill pen in hand, suggesting his dedication to the literary arts. Born into a noble family, Carew was educated at Oxford University and later served as a Gentleman of the Privy Chamber to King Charles I. He is best known for his poetry, particularly his collection "Poems and Fancies," which showcases his mastery of the metaphysical style popular during the period. Carew's works often explored themes of love, nature, and the passage of time, and were influenced by the works of contemporary poets such as John Donne and George Herbert. The portrait, which bears the inscription "Anthony Dyke delin. et sculpt. / Tho: Carew," indicates that it was both engraved and sculpted by Anthony Dyke. Dyke was a prolific engraver and sculptor who worked for various patrons, including King Charles I and the Duke of Buckingham. The collaboration between Carew and Dyke highlights the interconnectedness of the literary and artistic worlds of the time. Despite his literary accomplishments, Carew's life was marked by tragedy. He lost his first wife and two of his children at a young age, and his second wife, Elizabeth, was a favorite of King Charles I, leading to rumors of an affair between the two. Carew's poetry reflects the melancholy and introspection that marked his life, making this portrait a poignant reminder of the complexities and emotions of the Stuart era.
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