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Metal Print : The Communist by George Studdy
Metal Prints from Mary Evans Picture Library
The Communist by George Studdy
Bonzo, detesting Communism in any form, takes a back seat on this occasion. Rather odd cartoon showing a red Bonzo sitting on top of a pile of bones. Credit line must read: Estate of George Studdy/Gresham Marketing Ltd./Mary Evan"
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 4426731
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10268276
Bone Bones Bonzo Chew Communism Communist Communists Pile Studdy Gnaw
16"x20" (51x41cm) Metal Print
Introducing the Media Storehouse Metal Prints featuring George Studdy's iconic cartoon, "The Communist." In this intriguing image from Mary Evans Prints Online, Bonzo, the lovable bulldog, takes an unusual stance as he sits atop a pile of bones, dressed in red and embracing Communism. This thought-provoking piece, with its unique blend of humor and political commentary, is now available as a high-quality Metal Print. Each print is meticulously crafted using advanced printing techniques and a sturdy metal substrate, ensuring vibrant colors and exceptional durability. Add a touch of wit and historical significance to your home or office décor with this eye-catching and conversation-starting artwork.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This intriguing political cartoon by George Studdy, titled "The Communist," presents an unusual image of Bonzo, the popular canine character created by Studdy, taking a back seat among a pile of bones. The cartoon, which is credited to the Estate of George Studdy and available through Mary Evans Prints Online, dates back to a time when communism was a contentious issue in the political landscape. Bonzo, who was known for his mischievous antics and humorous exploits, is depicted here in a surprising role as a red communist. The cartoon's caption, "Bonzo, detesting Communism in any form, takes a back seat on this occasion," adds an intriguing layer of complexity to the image. The pile of bones beneath Bonzo suggests a reference to the historical association of communism with death and destruction. Studdy's use of humor in this political cartoon is noteworthy. The image of a red Bonzo sitting atop a pile of bones may be intended to provoke thought and spark conversation about the potential consequences of communist ideology. The cartoon's historical significance lies in its reflection of the political climate of the time, as well as its use of a popular cultural icon to comment on a contentious issue. Despite the cartoon's historical significance, its tone remains lighthearted, thanks to the use of Studdy's beloved character, Bonzo. The image invites viewers to consider the complexities of political ideologies and the role of humor in political discourse. Overall, "The Communist" is a fascinating glimpse into the past, offering a unique perspective on the intersection of politics, history, and humor.
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