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Metal Print : Benedictine abbot, 16th century, carrying a

Benedictine abbot, 16th century, carrying a



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Benedictine abbot, 16th century, carrying a

Benedictine abbot, 16th century, carrying a bible and crook, wearing an embroidered mitre.. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessiss Costumes historiques des XVIe, XVIIe et XVIIIe siecles (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14209743

© Florilegius / Mary Evans

1867 Abbot Benedictine Chevignard Crook Duplessis Embroidered Georges Lechevallier Mitre Robes


16"x20" (51x41cm) Metal Print

Bring history to life with our exquisite Media Storehouse Metal Prints. This captivating image features a 16th century Benedictine Abbot, elegantly depicted with a bible in one hand and a crook in the other. The intricate details of his embroidered mitre and the rich textures of his robe are brought to life in vibrant colors, thanks to the high-quality metal print process. This 16th century masterpiece, sourced from the extensive collection at Mary Evans Prints Online, is a must-have for history enthusiasts and art collectors alike. Order now and add a touch of timeless beauty to your home or office decor.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
In this striking 16th-century handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, and F. Laguillermie, we find a Benedictine Abbot deeply engrossed in the study of the Holy Scriptures. The Abbot, dressed in the traditional garb of his order, wears an embroidered mitre adorned with intricate designs and crosses, symbolizing his spiritual authority. In his right hand, he holds a large, ornate Bible, its pages carefully turned to a place of deep contemplation. In his left hand, he carries a crook, a pastoral staff that represents his shepherd's role in guiding his monastic flock. The Benedictine Order, founded by St. Benedict of Nursia in the 6th century, is one of the oldest and most influential monastic traditions in Western Christianity. The Order's monks and nuns have long been known for their commitment to the study of the Scriptures and the pursuit of a contemplative, prayerful life. This image captures the essence of the Benedictine vocation - a life dedicated to God through the study of the Word and the care of the spiritual needs of one's community. The illustration is taken from Georges Duplessis' "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), published in Paris in 1867. The meticulous attention to detail in the illustration and the high-quality lithography are a testament to the importance of historical record and the appreciation for the richness and diversity of European fashion and culture during this period.

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