Metal Print : Ruines de l Abbaye de Jumieges ote l Occident
Metal Prints From Liszt Collection
Ruines de l Abbaye de Jumieges ote l Occident
Ruines de l Abbaye de Jumieges cote de l Occident, Voyages pittoresques et romantiques dans l ancienne France, Engelmann, G. (Godefroy), 1788-1839, Jorand, Jean-Baptiste Joseph, 1788-1850, Nodier, Charles, 1780-1844, Truchot, Jean, d. 1823, Lithography, 1820, Lower left: Croquis d apres nature J.T. 1819. Lower left: J. Jorand del
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18503173
© Liszt Collection
1780 1844 1788 1839 1819 1820 1823 Charles Dans Engelmann Godefroy Jean Lancienne Lithography Lower Left Nodier Romantiques Voyages Pittoresques 1788 1850 Jean Baptiste Joseph Jumieges
16"x24" (61x41cm) Metal Print
Experience the timeless beauty of Ruines de l Abbaye de Jumieges ote l Occident from the Liszt Collection, now available as a stunning Metal Print from Media Storehouse. This exquisite image, originally published in "Voyages pittoresques et romantiques dans l ancienne France" by Engelmann, is brought to life in vivid detail on a durable metal surface. The rich colors and textures pop, creating a captivating work of art that is sure to be a conversation starter in any setting. Preserve the history and romance of this ancient abbey ruins with a Metal Print from Media Storehouse - a perfect addition to your home or office decor.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the "Ruines de l Abbaye de Jumieges ote l Occident" (Ruins of the Abbey of Jumieges on the West Side) from the renowned collection, "Voyages pittoresques et romantiques dans l ancienne France" (Picturesque and Romantic Voyages in Ancient France). Created through lithography in 1820 by G. Engelmann, this masterpiece captures the essence of a bygone era. The image transports us to the ruins of the Abbey of Jumieges, revealing its majestic architecture and rich history. The crumbling stone walls stand as silent witnesses to centuries past, evoking a sense of awe and wonder. Nature has gracefully intertwined itself with these ancient remains, adding an ethereal touch to their beauty. Jean-Baptiste Joseph Jorand's delicate hand brings life to this composition, meticulously capturing every intricate detail with his skilled artistry. His collaboration with Charles Nodier and Jean Truchot further enhances our visual experience. Inscribed on the lower left corner is "Croquis d apres nature J. T. 1819" reminding us that this artwork was inspired by nature itself. The dedication and passion behind its creation are palpable. As we gaze upon this remarkable print from Liszt Collection, we are transported back in time, immersing ourselves in the romantic allure of ancient France. It serves as a testament to human creativity and resilience while inviting us to appreciate both architectural
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