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Metal Print : Portrait ThA odore Agrippa d AubignA 1622 oil
Metal Prints from Liszt Collection
Portrait ThA odore Agrippa d AubignA 1622 oil
Portrait of Theodore Agrippa d Aubigne, 1622, oil on canvas, 109.5 x 77.5 cm, Unmarked, but inscribed and dated upper right: SCRIBENDVS SCRIPSIT CECINITQVE CANENDVS, AETAT. 72. A. 1, 622th, Bartholomaus Sarburgh, Trier um 1590 - nach 1637 Niederlande
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19591141
© Artokoloro
1622 5 Cm Bartholomäus Sarburgh Dated Upper Right Inscribed Trier Um 1590 – Nach 1637 Netherlands Unmarked
16"x20" (51x41cm) Metal Print
Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. Our high-quality prints feature intricate details and vivid colors, making them perfect for showcasing your favorite pieces. This exquisite Portrait of Theodore Agrippa d'Aubigne, painted in 1622, is a stunning example of the Old Masters' artistry. With its rich oil tones and intricate brushwork, this masterpiece from the Liszt Collection is sure to be a conversation starter in any room. Our metal prints are not only visually stunning but also durable, with a scratch-resistant and waterproof coating that ensures your print lasts a lifetime. Elevate your decor and add a touch of history to your space with a Media Storehouse Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite "Portrait of Theodore Agrippa d'Aubigne" painted in 1622 by Bartholomaus Sarburgh. The oil on canvas masterpiece measures 109.5 x 77.5 cm and beautifully captures the essence of its subject. Theodore Agrippa d'Aubigne, depicted at the age of 72, is portrayed with a sense of wisdom and dignity that emanates from his piercing gaze and regal posture. The artist's attention to detail is evident in every brushstroke, capturing the intricate folds of his clothing and the subtle nuances of his facial features. The inscription found on the upper right corner adds an intriguing element to this portrait. It reads: "Scribendvs Scripsit Cecinitqve Canendvs" which translates to "He who writes must write, sing, and be sung". This poetic phrase hints at d'Aubigne's multifaceted talents as a writer, musician, and poet. Bartholomaus Sarburgh masterfully brings out both the external grandeur and internal depth of Theodore Agrippa d'Aubigne through this painting. His skillful use of light and shadow creates a three-dimensional effect that draws viewers into the presence of this remarkable historical figure. As we admire this extraordinary piece from Liszt Collection, we are transported back in time to witness a moment frozen forever in artistry—a testament to both Sarburgh's talent as an artist and d'Aubigne's
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