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Metal Print : Lazarus Rich Man Gate 1554 Engraving Sheet 3 1 / 8

Lazarus Rich Man Gate 1554 Engraving Sheet 3 1  /  8



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Liszt Collection

Metal Prints from Liszt Collection

Lazarus Rich Man Gate 1554 Engraving Sheet 3 1 / 8

Artokoloro

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14027509

© Copyrighted

11 Cm 1502–1555 1561 1554 3 1 8 4 5 16 Background Based Bowl Center Feast Foreground Gate Heinrich Aldegrever Lazarus Legs Paderborn Ca Raises Rich Man Soest Table Wounds Dives


16"x20" (51x41cm) Metal Print

Transform your space into a captivating art gallery with Media Storehouse Metal Prints. Featuring the intricately detailed engraving, "Lazarus at the Rich Man's Gate" (Sheet 3, 1/8) from The Metropolitan Museum of Art's Liszt Collection, these prints add an air of sophistication and elegance. Each Metal Print is meticulously crafted using high-quality materials and advanced printing techniques, ensuring vibrant colors and sharp details that bring the art to life. The sleek, modern design of the metal surface complements the timeless beauty of this 1554 engraving by The Metropolitan Museum of Art, making it a stunning addition to any home or office. Experience the fusion of history, art, and technology with Media Storehouse Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This engraving, titled "Lazarus Rich Man Gate 1554" transports us to a scene from biblical times. Created by the talented German artist Heinrich Aldegrever around 1554, this print showcases his exceptional attention to detail and storytelling ability. In the foreground of the image, we witness Lazarus, a poor man covered in sores, lying at the gate of a lavish mansion. He raises a bowl towards his legs as dogs eagerly lick his wounds. The stark contrast between Lazarus' destitution and the opulence behind him is striking. Moving towards the center of the composition, our gaze is drawn to an extravagant feast taking place inside the mansion. Guests gather around a grand table filled with sumptuous food and wine. This scene is based on Luke 16:20-21 from the Bible which tells the story of Lazarus and Dives (the rich man). Aldegrever's masterful technique brings every element to life – from intricate architectural details in Paderborn ca Soest in Germany where he hailed from, to expressive facial expressions that convey both wealth and indifference. This remarkable print serves as a reminder of social inequality throughout history while also highlighting themes of compassion and morality. It stands as a testament to Aldegrever's skill as an artist and continues to captivate viewers even centuries after its creation.

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