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Metal Print : Fall Redemption Man Christ Appearing St. Mary Magdalen
Resolution may be reduced at this size (89 DPI)
Metal Prints from Liszt Collection
Fall Redemption Man Christ Appearing St. Mary Magdalen
The Fall and Redemption of Man: Christ Appearing to St. Mary Magdalen, 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18477586
© Liszt Collection
1480 1538 1515 Albrecht Altdorfer Christ Appearing Fall Redemption St Mary Magdalen
16"x20" (51x41cm) Metal Print
Experience the timeless beauty of Albrecht Altdorfer's masterpiece, The Fall and Redemption of Man: Christ Appearing to St. Mary Magdalen from the Liszt Collection, now available as a stunning Metal Print from Media Storehouse. This intricately detailed woodcut, created in 1515, showcases the moving moment of redemption between Christ and St. Mary Magdalen. The high-quality Metal Print process brings out the rich colors and textures of this iconic artwork, making it a breathtaking addition to any home or office space. Elevate your decor with this unique and captivating piece of art history.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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This print showcases the profound artwork titled "Fall Redemption Man Christ Appearing St. Mary Magdalen" by Albrecht Altdorfer, a renowned German artist from the 16th century. Created in 1515 through the technique of woodcut, this masterpiece beautifully captures a pivotal moment in religious history. The image depicts Jesus Christ appearing to St. Mary Magdalene after his resurrection, symbolizing the redemption and salvation of mankind. The intricate details and meticulous craftsmanship of Altdorfer are evident in every stroke, as he skillfully portrays the emotions and expressions on both figures' faces. The composition is filled with rich symbolism that invites contemplation and reflection. The fall of man is represented by Adam's expulsion from paradise, while Eve mourns their loss beside him. In contrast, Mary Magdalene kneels before Christ with an expression of awe and gratitude for his divine presence. Altdorfer's use of light and shadow adds depth to the scene, emphasizing the spiritual significance of this encounter between humanity and divinity. The woodcut medium enhances the dramatic effect by creating bold lines that emphasize each figure's form. As we gaze upon this remarkable print from Liszt Collection, we are reminded not only of Altdorfer's artistic genius but also of our own journey towards redemption. It serves as a powerful reminder that even in moments of despair or doubt, there is always hope for renewal and forgiveness through faith in Christ's love and grace.
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